Thursday, 20 March 2008

A few reviews ...

Lightspeed Champion
Galaxy of the Lost

It appears that a solo route is something that suits ex test icicle, Dev perfectly and his style couldn’t be further from his musical past. The vocals within the track are delivered with an envious ease, dripping with sophistication and sultry charm. A quirky lyrical content teamed with an unusual yet simple use of violins proves the track to be unique, breaking away from their contemporaries. It seems, for the moment, that the ever popular electric influenced sound has been replaced by acoustic, a genre which has been unfairly tainted recently with the annoyance of pop drivel such as James Morrison and James blunt. The ever changing pace throughout the track prevents it from becoming yet another ‘new folk’ song showing that Dev has quickly and efficaciously established his own style, a brave move and one which has avoided his career being tarnished with the test icicle label.
It would be unfair to classify the band as ‘folk’ as this seems to strip the band of the individuality that they have so effectively created. Lightspeed champion have still yet to portray a fully grown confidence with their presence both live and on record however their natural ability to produce beautifully crafted songs is undeniable and its this humble modesty which makes their music so endearing and in a way quintessentially British, a talent we can finally to be proud of.




We Are Scientists
Brain Thrust Mastery

With 2008 comes a band shake-up for our favourite New Yorkers, We Are Scientists. The sad departure of bearded comrade Michael however has not held the band back with their creativity and if anything has plunged them further into exploring their freedom and ability further especially with a varied use of new instruments.

The band’s sound has developed and matured, with a lyrical content to match. No longer are they worrying about passing on the floor, instead the ponder the trials and tribulations of being with ‘the one’. The band appear to have mellowed, rarely is a busting electrically charged, acid infused pop nuggets to be found on “Brain Thrust Mastery”. However this is by no means a bad thing and shows how the band has concentrated on their previous weakness and played on their known strengths, Something which in turn has produced a musically strong album, worthy of high praise and success. Chris’s vocals have finally been used with splendid results for this record to create a natural harmony something which “with love and squalor” lacked. This gives the tracks greater impact and strength with their delivery, something which is perfectly illustrated on tracks such as “Dinosaurs”
With this album comes a loss of their previously youthful enthusiasm however their talent eradicate any doubts that a listener may have. Keith and Chris appear not to be fased by the pressure of producing a successful second album and certain stand out track on the record support this. Keith’s vocal ability is something which has been easy to overlook in their previous releases however in tracks such as “Lethal Enforces”, easily the strongest track on the album, it’s hard to avoid how his talent makes a song transform into a classic. “That’s What Counts” initially bursts with a stream of trumpets to finally evolve into a sleek and confident track, a perfect parallel to the bands sophistication and style. Similarly ‘After Hours’ is beautiful in sentiment with injections of acoustic peaks and troughs which gives texture and variety to their new sound.

We are scientists are unique in their ability to team both comedy and music together in a harmonious balance. Personality is often a trait which is not taken into consideration with today’s indie scene but is something which gives the band an important edge, their intelligence and wit is something which they transfer into their music successfully and gives their music a timeless essence.

Hannah
xx
Everyone I Know Is Listening to Crunk - Lightspeed Champion
Galaxy of the Lost - Lightspeed Champion
Lethal Enforcer.mp3 - We Are Scientists
Impatience.mp3 - We Are Scientists

Sunday, 16 March 2008

Violet Vector and the Lovely Lovelies

If the weather wasn't so horrendous of late and if there was even a glimmer of sun I'd be advising sitting in the garden, cool drink and VV and the LL in tow. Serious 60's vibes and a more credible Pippettes-esque sound surround this band and its almost impossible not to smile when listening.
Numerous instruments hover about (glockenspiels, bells and an organ jump out of the drums and guitars) and technicolour, sunshine pop emerges.

And since there is no way to travel back in time to said 1960's (mores the pity) it is just as well they're on hand to provide nostalgic and colourful music to pass away the awful weather until summer manages to emerge!
Jade xx

Monday, 25 February 2008

Oh and

best song I've heard this week comes in the form of "Love No" by the Teenagers.
Well, more the Soko version really, her voice is so lovely!

Jade x
Love No - Soko (Teenagers Cover)

LIVE: Lightspeed Champion



Sunday 17th Feb 2008
Roadhouse, Manchester

A buzz surrounds Dev Heynes at the moment and with his lyrically sublime songs and self-deprecating nature it isn’t hard to see why so many find him endearing. Armed with a talented band and his guitar Dev is in his stride from the off, bantering with the audience about everything from Year Zero (“This didn’t go down well last night but I’m going to explain the theory anyway”) to I, Robot (“It’s just a shit film”). It’s like half stand up, half gig; the audience gazing adoringly and laughing along to each of the flippant comments made.
A good majority of the audience bob their heads along to album tracks like “Tricks for a Bitch” but it’s songs like “Midnight Surprise” and “Tell Me What It’s Worth” which combine notoriety with talent and have everyone smiling. Something which is different this time Lightspeed play live is a lack of cover songs; Eugene McGuiness and The Strokes have been replaced by their own material and the audience even get treated to new stuff (about hookers, obviously). Heynes voice is suited perfectly to the folk-esque guitars and soaring violins and it’s songs like “No Surprise” which truly showcase the extent of talent. Drums and violins submerge into guitar and vocals and this coupled with Dev clambering onto the speakers and bearing down over the heads of the audience give the feeling of a band in their element.
One of the things setting this band out from the mainstream is the lyrics. Stories which could be portrayed as mundane come to life wittily and humbly. “Everyone I Know is Listening to Crunk” has the audience swaying in time and a few smirks pull at the corners of mouths once the lyrics sink in (“Take me to the Genesis to see Saw III” / “And the stranger on the night bus in the checked coat is not you”).
Highlight of the entire night though comes in the form of the band covering “Thriller”. The hype them should be believed, Lightspeed Champion have talent, a humble and endearing attitude and can make you laugh too- what more do you need?
Jade x

Saturday, 2 February 2008

LIVE: Johnny Flynn and the Sussex Wit

31st Jan 2008
Ruby Lounge, Manchester

This penchant for twinkly guitars and rustic charm has seemed to come about rather suddenly and although Johnny Flynn and the Sussex Wit might on the surface seem to fit in with this genre a closer inspection suggests a greater depth than a new fad.
Firstly the duel vocals of brother and sister provide harmonies and beatific noises as various other members of the band chip in when they feel like it. Their multi-talented front man picks up various instruments (as do the band) and there is no smugness or feeling of trying to impress with the range of their skill.
One of the most superb things about this folk-steeped band is the lyrics; wonderfully angelic voices wrap themselves around the words which evoke different worlds and forgotten people. Beginning the show with “The Box” with its twangy guitar and almost Deep South feel a focus is brought on a homeless man whilst rural fables come to life in the magic “Leftovers”. Their evocative music is deeper than trend or fashion; it extends to the audience, holding them in its grip and literally begging for an encore.
It’s poignant and bluesy with more than enough heart and soul. There is religious imagery mixed with tales of the homeless mixed with tales of love; a rare thing for a set to have so much depth but whilst also holding interest for every song!
A loyal fan base gather on the floor of the Ruby Lounge and a strange feeling occurs, people flop down onto the floor, sitting and nodding adoringly along with every song. Rather than making the whole thing seem lethargic and boring this almost school-like approach to watching the band (legs crossed and eyes turned upwards) seems fitting. Everyone is still moving (one man goes so far as to slap his thigh along with the beat. The look would only have been completed with a piece of hay coming out of his mouth and a floppy straw hat!) And Flynn’s bashful presence is appreciated with applause and cheers.
As the band run through their set it is clear to see they are not only skilful musicians but also destined for success. With their sound reminiscent of Adam Green or even blues/rock’n’roll virtuoso Robert Johnston their lyrics and music intermingle creating poetry alongside sound. A truly great live band with an menagerie of instruments and talent!

Jade xx
(reviewed for High Voltage)

Johnny Flynn and the Sussex Wit - Leftovers
Johnny Flynn and the Sussex Wit- Oh, To Eat An Apple
Johnny Flynn and the Sussex Wit- The Box

Friday, 1 February 2008

Elle S'appelle New Material

QUICK! Hop on over to Elle S'appelle's Myspace to hear fab new material. Hopefully some of it is to be included on their forthcoming EP! And they're on tour with goFASTER>>... ace news.
"Monkeyshine" is all crecendo-ing "woah-oh-ohs" and ska-esque keyboards dancing over harmonising vocals. Beautifully addictive; their songs are near flawless with their own brand of simplistic pop dipped in originiality and talent! As the end nears in sight skipping drums and a change of tempo twist and turn as duel vocals battle over jumping beats. "Reasons Your Reasons Your Reasons" is like Hot Club De Paris taking The Futureheads waltzing; with a distinctive fairground feel. A sort of Victorian English Gentlemans Club sound is set in the band with a similar set up and the same penchant for dizzying musical heights. Crecendo, tempo, lyrics, instruments and voices all get melded into the sublime pop that is Elle S. The effect is an overwhelment of music and ideas. Chouruses melt into a whirlwind of sounds and voices skipping over pure, unadulterated noise. Come on 2008- bigbigbigbigbigbig things must happen for these guys; they're just too good!!
Jade xx
just because it is one of the most innotive videos around !

Monday, 21 January 2008

Girl Power !

Driving synth and merry-go-round type noises do place this all female-group slightly in the realms of The Horrors. The lead vocals are haunting and pitch perfect whilst guitars and keyboards and drums cavort around. "Smoke and Mirrors" is eerie and ethereal with music which dips and dives over 60s-esque synth and carnival noises. Disturbing; but in a good way.
"Harmonise" has a darker Long Blondes style feel to it with a strong voice soaring over the slightly discordant music and "Balderdash" is made up of crescendos and flickering guitars; it's pure melodic noise. No mean feat... And to top it off it's all a bit "Phantom of the Opera" (a good thing of course), a bit baroque and very pop-noir. Ghostly noises and Gothic tendencies in a monochrome set!

On the other side of the coin is the technicolor brilliance of The Duloks. Their music has the same synth-y bits but in an uplifting way. They don brightly coloured tracksuits and songs like "Gonna Follow Your Star Trail" are twee-pop-goodness. Their songs aren't prog rock length and although it is a pity ace songs like "Boom Boom" end quickly they say what they need to say and get out. Mainly what they're saying is "If you're an instigator / Or a secret masturbater..." and other such nuggets of comedy. It's "Bad Vegetarian" though which places them in the 'legends' box- hilarious and slightly strange. Not taking themselves too seriously is a most endearing quality!
---

Sunday, 13 January 2008

Cheeky Cheeky and the Nosebleeds


Cheeky Cheeky and the Nosebleeds- The new innovators. Yeah there are people doing amazing revivals of folk which is charming without fault but I was starting to get worried guitar based Indie was going to be forever vapid and generic. THANK GOD then for CC&N with their amazing name and nasal vocals. Their refreshing take on music seems almost like a second-cousin-twice-removed to Los Camp!.

"Slow Kids" is lyrically strange but in a quirky way ("I am the girl with no lips / But I can keep a hula going around my hips"); the angular guitars build up the listener and the chorus is a spiky and catchy damn thing. "Before We Sleep" is a more indie-dance floor-friendly number with a good beat and shouty voices and singalong choruses guaranteed to make you move you feet. The lyrics aren't as elusive as "Slow Kids" but it defiantly isn't paint by numbers indie which bands like The Enemy seem to favour.

Their best song though is "Fascinating" which has a 'The Royal We' feel to the guitars and more thrillingly strange lyrics and squeaky vocals. It should annoy, it should grate a little on nerves but it doesn't- it is purely good stuff even with guitar solos thrown in for good measure!

They're supporting Joe Lean and the Jing Jang Jong (big buzz band) so fingers crossed they'll be well recieved...
Jade xx

Friday, 4 January 2008

Bits'n'Bobs

Rambling On: Firstly Bishop Allen (because they've just come up in Ipods delightful shuffle!). Ever since Hannah & I discovered a member of this band was in Mutual Appreciation we knew we'd be hooked- and prior to that hearing "You Ain't No Picasso" meant lovelovelove! With strained vocals, tinkly guitars and witty refrains it is on first listen ever-so-slightly annoying, but give it time because it transpires this song is one you can't live without! Refreshing every time you listen with guitar slicks and licks subtle enough to sound new with every listen. And there is out of tune, accapella-esque bits towards the end! Excellent...

Also I better say it now so I can look back on this and hopefully feel rather smug. Foals are going to become big aren't they?- annoyingly so. Like when The Wombats became transcendent with many social cliques and slightly mainstream and made us feel no longer niche but part of the masses.
If the mainstream can accept the math-rock, twee and sublime noises of Foals and truly appreciate them though well done I guess. Razorshite have dominated "indie" far too long- let some true musicians in I say...

And! speaking of new fads; thankfully the abomination that was 'neu/new/nu-rave" has gone. The last vestiges of day-glo are now in the January Topshop sales and the re-hash of the 90's Hacienda scene will only be brought up again when Klaxons attempt a second album (and lets face it we all danced along to "Atlantis to Interzone" with gutso) but now its time for a mellower sound to surge. Acoustic guitars, whimpering voices & pretty choruses in the form of Noah & the Whale, Emmy the Great, Lightspeed Champion, Laura Marling, Kid Harpoon, Johnny Flynn and the Sussex Wit, Tom Williams and Florence & The Machine are here at least for a while. Oh & that London scene like frYars, BBC & CDP! So the pretty singer/songwriters are around for a while- a lovelier sight than glow sticks. Nights (in London, poo!) like Young and Lost and Twee as Fuck look appealing and not to mention NEW MYSTERY JETS MATERIAL TO LOOK FORWARD TOO AS WELL AS AN ADAM GREEN TOUR.

Phew. Let 2008 commence!
Jade xx