Kalico Queens

Casiokids

2009-08-04T05:50:00.000-07:00

I was more than fairly upset that I missed Casiokids set at Kendal Calling this weekend. That will teach me to have a 'power nap' which lasts 4 hours after I forget to set my phone alarm. But never mind that. Casiokids not only have powerful synth driven beats and use the lost art of the cowbell in songs like Verdens storste land but they also have songs called things like Verdens storste land. I had to live with smug non-sleeping people telling me that Casiokids were the best thing they've ever seen live as well which is even more galling.

Combining irrisitable electro beats with underpinning guitar winding around various drumbeats and sometimes invovling the plink of a piano they're everything I'm looking for at the moment. Only thing to do now is to learn some Norwegian so that I can sing along!

http://www.myspace.com/casiokids

Boy Crisis

2009-05-10T11:13:00.000-07:00

If there is one thing most girls can identify with it's a boy crisis. This is a different type of Boy Crisis- you don't need to worry if they'll text you back or if they really did mean 'See you later' all you need to do is kick back and listen to the less-than soothing electro pulsings. They've got links with MGMT and Amazing Baby (went to the same art school) and have the same quirky sentiment to their music. Funky electronica meets bouncing rhythms.

"Dressed to Digress" matches Bowie for cut-and-paste lyrics with a sexually charged sub-plot.

"You're the shit, girl" is the refrain- Woodrow Wilson is cited and the lyrics run, hop, jump and charge straight into the brain like an acid induced vision.
How electro should sound.

http://www.myspace.com/boycrisis

Voltaire Twins

2009-02-22T04:42:00.000-08:00

Australia. I want to move there. Not only are they giving us Tame Impala, Empire of the Sun and still ever popular Neighbours but now Voltaire Twins too? Stop spoiling us!

Sunny electro beats head up against duel-vocals and driving rhythms songs such as "The Kate Bush" are reminiscent of Ladytron-via-We Have Band.

"London" combines a more broody sound and murky message (basically, people are really stuck up and won't want to be friends with you)/ "You'll never be friends with them/ Like I am" they croon sweetly. It's "Disco Intelligent Light" though which transcends the 'electro' genre and creates an instant dancefloor classic- sweat, bad dancing and hands up in the air (like you just don't care) would surely be factors if this song got played.

There is something which separates them from the dance scene of the moment, an air of something more than the 'scene'. If John and Jehn took up the synth and strove to create messy, electronic driven music it might sound like this.
Jade xx

http://www.myspace.com/voltairetwins

Vivian Girls

2009-02-22T04:32:00.000-08:00

The epic task of avoiding essay writing lays before me and the perfect accompanyment to this lazy livin' is of course Vivian Girls. With their shouty-shouty pop they combine perfect meoldies under layers of scuz and feedback. A bit like the Beach Boys but, you know, girls and kickin' ass and stuff.

"Damaged" is a combination of loud guitar, harmonious yet slightly screeching vocals and thumping drums whilst "Where Do You Run To" has an edge of melacholy surrounding the lo-fi vocals and driving rhythm.

They combine a lo-fi, punk, garage-sound with a touch of femininity. Breaking out from the New York scene and producing art-rock for the twenty-first century they've managed to actually have songs to back up the the devil that is hype. Break-speed tempo and almost indistinguishable lyrics make for great music- the type that creates sweaty, jumping, beer spilling and raucous live shows. There are gorgeous harmonies beneath the layers of distortion with baleful vocals carrying the message that DIY punk is still as cool as ever. The type of music which makes you wanna avoid writing coursework, pick up a guitar (despite only knowing 3 chords), start your own garage band, grow your hair long, dyeit black and pretend the grunge scene of the 1990s is alive and well.

Hooray!

Jade xx

http://www.myspace.com/viviangirlsnyc

Interview with Vivian Girls in XOX

XOX 7

2009-02-01T03:34:00.001-08:00

XOX SEVEN ; DOWNLOAD HERE;

With Interviews; The Virgins, We Have Band, Vivian Girls, Tame Impala. Also; KASMs, The Soft Pack, Mat Horne; Fashion; Music; and More!

http://www.myspace.com/sameteensmanchester

Tame Impala

2009-02-01T03:20:00.000-08:00

Take a great, big, dirty step back into the past. The hazy days of Woodstock, the incense infused 1960s. So you weren't alive? So what? With Tame Impala you can create a Summer of Love 2009 (or rather Winter, considering the month) but either way it's like kicking back with Jimi Hendrix and Mick Jagger.

Hailing from Oz these guys have all the summery goodness you might expect sans the cheesiness of Neighbours or Home and Away. They manage to encompass 60s psych and a fresh new sound as well; expect major comparisons to MGMT and Empire of the Sun but don't take too much notice- these guys have a sound in their own right (okay- owing a lot to the 60s) but still, it's chilled out Jim Morrison style makes up for everything.

If White Denim relaxed a bit they might sound a bit more like this. Simple riffs gliding over the patter of drums and the drawling vocals all compound the funky, fuzzy feedback and shoegaze vibe.

It's like one big acid trip without any of the consequences. Get involved!

TRACKS TO CHECK- Half Full Glass of Wine // Skeleton Tiger.

Jadexx

http://www.myspace.com/tameimpala

Remix.

2009-01-31T05:44:00.001-08:00

Long, long has the art of remixing produced either absolute genius or absolute cack. The former surely has to describe SebastiAn's remix of "I Still Remember". Taking a simple, stylised electro backbeat and the juxtaposition of Kele's slightly strained vocals over the top whilst simple, lyrical refrains battle across the top means that a dance floor friendly classic has had a revamp for the better.
Adding to this DiscoTech's Rolling Stones rework, Soulwax's Beatles vamp, MSTRFKT's All Saints mess-a-bout and anything Twelves get their hands on and it's smooth, disco sailing from there.

Even R Kelly get's the remix treatment with Alex Rage's Ignition remix- best song ever? I think you'll find that is so!

Also check out Austria's best music website, Stylish Kids in the Riot, for XOX's month-long takeover blog style-ee. Read it here: XOX GOES POP.

Hot foot it too here for XOX 7 with interviews avec The Virgins, We Have Band and the Soft Pack as well as Eddy Temple Morris' top DJing tips and Mat Hornes top ten songs to listen to this month! The best free magazine online now- for comfort and cheap living in the 'credit crunch' crisis!

Jade xx

www.myspace.com/blocparty

www.myspace.com/0sebastian0

Le Corps de Mince Francois

2009-01-18T06:36:00.000-08:00

They are hailed as the next CSS and comprise of three super-cute girls who knock out pretty, electronic driven music. How could you not be a fan?

They live in Finland yet have a dash of New York cool, a hint of French to their name and with a pinch of that Brazilian CSS sound. More than that though they're punching their hands in the air for 'girl power' and creating dance-floor friendly hits. Wonderfully kitsch, this is disco on an epic scale.

"Bitch of the Bitches" is electro driven which is mixed up with the acoustic version of "Ray Ban Glasses" which sounds more like 'Hitten' by Those Dancing Days than 'Alala' by CSS. Showing an ability to mix the sublime of acoustic guitar with the ridiculous of neon electro they've got two sides to their story. Stuffing the spirit of Le Tigre, Yelle and Peaches into one band and they have that instant hook and beat combo which makes 'Bitch of the Bitches' an instant hit. They've even got Russ Chimes on board giving it that touch of French-electro coolness. They're cooler than you, but get over it.

http://www.myspace.com/lecorpsmincedefrancoise

Banjo or Freakout

2009-01-15T13:32:00.000-08:00

Allowing disjointed drums and samples to hop over one another as seamless vocals float on top means that Banjo or Freakout (aka. Alessio Natalizia) has created something extremely original. Rhythms skip and jump before settling into a momentum under a thin veil of distortion. It’s a patchwork of sound which, until about a fifth listen, sounds like noise within noise but soon enough a simple melody emerges and the song takes on a life of its own. There is fragility to the music and a feeling that it could fall apart at any minute - but that’s also its strength, the ability to break and regroup with ease.'Someone Great' is the result of experimenting with LCD Soundsystem. Natalizias use of loops and repeats verge almost on the brink of extreme yet this is what creates an entirely new sound. It’s almost like pure vocals and atmosphere. Unlike 'Mr No' this takes a more coherent approach to music with haunting vocals, simple Joy Division-esque atmosphere and lush refrains.Both songs highlight a musician who isn’t just talented but who has an ear for being experimental without alienating the audience. Blissful.

http://www.myspace.com/banjoorfreakout

XOX 5

2008-12-26T10:48:00.000-08:00

Get your own - Open publication

Click to make bigger!
Go here for more information!
JadeXXX

Marina and the Diamonds

2008-12-16T11:22:00.001-08:00

Just another female singer in the midst of Lykke Li and Laura Marling? Oh no. There is a ferociousness that accompanies Marina's cutting insights on modern life seethe through the sweetness in her voice.

"Obsessions" is a piano driven and haunting affair which evokes simple, maudlin musings which contrasts greatly to "Seventeen" which matches staccato beats and Kate Bush inspired vocals with a feisty air thumping chorus. The sweetness of Yael Naim with the force of Karen O's personality seeps through.

"Mowgli's Road" gathers in it's arms a bundle of ideas and throws them in the air- the end result falls into a mish-mash of piano, vocal and thumping drums creating a seriously interesting sound. Added to this heartfelt lyrics and a set of powerful lungs and your there.

It is subtlety which is intoxicating.
Jadexx

Obsessions (demo)- Marina and the Diamonds

Mowgli's Road- Marina and the Diamonds

Little Joy

2008-12-14T04:01:00.000-08:00

It seems that every Stroke's member had a hand in creating their sound if the music they are creating now is anything to go by. Within Albert Hammond Jnr's side-project there are hints of it and now with Fabrizio Moretti's new stuff "Little Joy" there is a nod back to the 'Room on Fire' era. Especially in "Keep Me in Mind"; I almost feel like Julian et al are back only to be reminded this just isn't so.
Lazy strumming of guitar set against sparse drumming and wonderfully droning vocals it's almost like they're back together. I can forgive this whole-heartedly though because The Strokes were a band where every member provided an integral key to the music created and because deep down, after Julian, Fab was always my favourite. A bit like when Pete and Carl spun away from each other and produced bands which had similar elements to the Libertine sound but developing and honing their own talents 'Little Joy' have their own sound entwining the Strokes vibe.

Proving not to want to jump into the lime-light too readily there are two other major components to Little Joy in the shape of Binki Shapiro and Rodrigo Amarante. Taking over the vocals and various other instruments this really does feel like a band rather than a side-project for Fab.

And to call themselves 'Little' Joy is an understatement- their songs a full of joy. The kind that lights up summer days and winds down the winter nights. Unfortunately they've released their debut as the winter draws in and so lolling around the garden, cocktail in hand and sun shining down whilst pumping out their music isn't possible. Although on the flip side their Californian laid-back pop does bring those elements to the brittle winter months so all is well.

Songs like "No One's Better Sake" use disjointed, 60's infused synth and sparse drumming with lethargic vocals which turns the whole thing into a reggae infused affair (possibly not on purpose) whereas "How to Hang a Warhol" takes simplistic guitar riffs and wraps the whole thing into a bundle of indie fun. It's sort of like The Thrills or She & Him combined with an hint of Belle and Sebastian. It's possibly "Don't Watch Me Dancing" though which is their most beautiful endeavour as Binki's understated vocals take control and the melodic guitar carries the simple lullaby of the song. In the same way "Unattainable" takes the same melancholy music tinged with heartfelt lyrics which evokes the 1970's folk infusion. It's songs like these which take away the Strokes element and show the band off to their best.

Their music is so laid back it's almost horizontal, but who cares? Hooks a'plenty and filling the void left by the Strokes rather nicely it's undemanding of it's listeners and allows the sunshine pop of yesteryear to transport you to a happier, sunnier place than England in December. Lovely!

Jade XX

The Next Time Around- Little Joy

Unattainable- Little Joy

How to Hang a Warhol- Little Joy

We Have Band

2008-12-01T03:04:00.000-08:00

If the Horrors went 80’s induced disco you might balk at the concept yet the beginning of We Have Band’s debut “Oh” sounds exactly like that with a broody hook which runs with the disco feel.
Cramming in Hot Chip beeps with Talking Head’s rhythm the concoction is a frantic, itchy marrying of sounds which wouldn’t be out of place on the Skins soundtrack, but that isn’t necessarily a bad thing. The frenetic repetition of “Oh/ oh/ oh” skips over the macabre disco and despite the heavy electro influence it is more new wave than new rave, which in the post-mortem of the Klaxons aftermath is defiantly in their favour. These are The Rapture of the new generation; as filthy as The Faint with a pinch of futuristic-pop to match the heavy laying of programming and drums.
It’s the most chilled disco-funk ever- it’s almost electro-by-numbers except for the fact it manifests itself into the catchiest, most danceable song ever transcending any influence gained from the likes of ADULT and Fischerspooner and creating a whole new, addictive sound!

Jade XX

We Have Band- Oh!

Florence and the Machine

2008-11-29T03:37:00.001-08:00

A truly amazing performer. I've liked Florence for quite a while now and her unique blend of folksy guitar and gut-wrenching powerful lungs combine to make an artist NME have even allowed set foot on tour with them.

Whether this is testimony to her or not the fact remains that a lot will be heard from Flo and her Machine next year. If Laura Marling got saucy or MIA simmered down a bit there would be a touch of Florence in that, I bet!There is a rawness which hopefully won't get lost in production and the glam-folk which is evoked in songs such as "Kiss With a Fist" and "Girl With 1 Eye" is like Bowie crossed with Kid Harpoon.

Seeing her live is a revelation as a whirlwind of energy and excitement exudes from every pore of her set- jumping, shouting, singing, running from one side of the stage to the other in 2 seconds flat. It all adds up to a something fun to watch. But then I'm A Celebrity.. Get Me Out of Here is fun to watch, it's throwing into that mix her impressive vocal range and knack for perfect melodies that makes it superb.

Having worked with Lightspeed Champion extensively in 2008 it could have been plausible for her to jump on that bandwagon and keep the profile higher- as it turns there is an element of going it alone now and it's gone from covering Green Day to writing her own sterling material.

A charismatic character which surely will be getting due attention soon. It's music to punch the air too, to swirl around the room too, to belt out the lyrics too and all in a non-cheesy, football hooligan sense.

"Kiss With A Fist" remains a fresh, lively song even after being rinsed by TV ads and DJ sets alike and it's heart swelling soul for the foreseeable future. It's anticipation which builds as her debut album can't come soon enough.

Jade XX

Kiss With A Fist- Florence and the Machine

Going Down (6 Music Session)- Florence and Kid Harpoon

Officer Owl

2008-11-09T02:43:00.000-08:00

Perfect cure for a moody disposition. Calm beats float around a lull of guitar and harmonious vocals. Officer Owl have a tinge of acoustic genius about them but more than that there is a simplicity which is instantly appealing. Not relying on the raucous effects of feedback or unruly synth which some bands tend to rely on here the softer nuances overtake and carry all the songs on a soft cloud of melody.
There is a tinge of melancholy about "Untitled Number Two" which takes the refrain of "Never going to leave you alone" and carries it with the duel vocals blending together effortlessly.
Effortless music is always the best. As the various notes hit the air with a confidence unhampered by arrogance or distortion. "Untitled Number Seven" allows the guitar to take on a harder(ish) lead and vocals which sound a little bit like Ian Brown if he sang sweetly and didn't have a penchant for knocking people out. Lyrics like "Someone said the witch was dead but she's floating on the water" instantly stand out with the simple brilliance of imagery as the repetition of the verse becomes like a softly hummed chant, never lifting into an angry anthem but meandering in and out of the music with a persistence.
Unfortunately the extent of what I've heard from Officer Owl stems from Myspace which in turn only offers two songs. But beautiful songs they are with a sound which bodes well for future songs.

Jade X

Untitled Number Two- Officer Owl

The Virgins

2008-10-20T04:05:00.000-07:00

There is something about the sultry guitar and the laconic vocals which makes you think perhaps The Virgins don't live up to their name. If James Brown had a penchant for guitar based indie instead of being a Sex Machine extraordinaire he would sound like these. I bet.

'Rich Girls' is like a sexy Razorlight strutting about as New York cool exudes from the very notes played. Apparently they are supporting the Pigeon Detectives which probably doesn't do justice to their tour de force. Gathering the listener up in a dizzy swirl of laid-back music it demands to be played in the hottest clubs as the best dressed people nod along with a cigarette in one hand and a bored expression on their faces. Pop-noir-c'est-cool.
'One Week of Danger' takes a Strokes influence with the Five O'clock Heroes bringing up the rear and a dash of brit-pop for good measure. It would, however, be quite easy for a band like this to slip into obscurity- quietly fading away as the newest fad takes their place. If their next handfulof songs can polish the edges with some added substance (and no, not cocaine) then they'll be okay if not then just enjoy their sultry guitar pop for what it is- achingly cool and probably not out of place on the Gossip Girl soundtrack.

Jade XX

Rich Girls- The Virgins

One Week of Danger- The Virgins

Fan Death

2008-09-15T12:32:00.000-07:00

These sultry 80s beats (which wouldn't feel out of place in a Flashdance-esque escapade) will surely have hearts melting and eyebrows flickering upwards everywhere. Not since MGMT burst in and psych'd up summer will a band get so much hype in 2009...

It is blissed out pop which reeks of cool. "Veronica's Veil" grasps the 80s infused sound to it's fullest extent whereas "The Constellations" sounds more like a subtle Kate Bush if she had it off with Little Boots (ooh er).

Fan Death are everything you need in a band, nothing too serious yet nothing to flippant with a head for merging good beats with non substantial lyrics. "The Best Night" would make you silly not to dance where "The Son Will Rise" somehow reminds me of Rocky (in only a good way- a song you could power walk too, no doubt). Rather than the noir Gothic pop that is stemming from London 'Fan Death' have a multi-coloured glow beneath the torrid exterior as eerie noises emit from synth and voice.

Or if you are Wikipedia:

"Fan death is a South Korean urban legend which states that an electric fan, if left running overnight in a closed room, can cause the death (by suffocation, poisoning, or hypothermia) of those inside. Fans manufactured and sold in Korea are equipped with a timer switch that turns them off after a set number of minutes, which users are frequently urged to set when going to sleep with a fan on.[1]"

Jade XX
The Constellations- Fan Death

Veronica's Veil- Fan Death

Pavement

2008-09-03T12:16:00.000-07:00

The genius that is.

This is simply because I've reacquainted myself with their lofi blend of musical greatness.

Words can't even describe so:

Shady Lane- Pavement

Shoot the Singer- Pavement
Kennal District- Pavement

Jade XX

Old School / New School

2008-08-18T02:04:00.000-07:00

Three bands which have blossomed over the years rather than withered by the wayside have new material out! Yes, Franz Ferdinand, Kings of Leon and Bloc Party are all marching down the road with a fistful of new stuff.

These are bands that made me love music and, unlike the Rakes who's second album didn't really hit the spot, they have continued to progress and get better with every album and new single they get out there (minus, maybe Bloc Party's "Flux" which was mediocre compared to their earlier stuff).

Kings of Leon's "Crawl" is a dysfunctional slam of fuzzy guitars, Calebs trademark wail and perhaps a glance back to earlier stuff which was laden with sexual references (eg; Molly's Chamber). With a simple guitar refrain echoing through the driving force of the drums sets the song rolling forth as the vocals settle on top like an old glove. "Sex on Fire" is even more blatant with its innuendo but a step forward, if it is believable the band could get any better, with whirling guitar and gritty vocals.

Franz Ferdinand's "Lucid Dreams" is undeniably them; Kaprano's vocals drip over the lyrics with ease as a feeling of noir and romanticism rolls over the music. Building up as the song nears towards the end the crescendo is a powerful impact. Lyrically as ever Franz Ferdinand have shown craftsmanship but its the stomping drums which keep the track together as guitar riffs slide across. Although unfortunately their album has been put back to 2009 hopefully the process isn't too fraught with problems as they sound better than ever.

Bloc Party's "Mercury" is perhaps the only song of the three bands which takes a departure from what they used to know. Strong synth and brass laden moments mean than there is hardly any comfortable ground here- no hint of Helicopter or Hunting for Witches. Only Kele's vocals remain similar ground as trumpets and thumping drums jump in and out of skittering and shrieks and beeps. This is exciting music, it has all the elements of not only a dance floor classic but a genuine classic song. Its discordant beats drip over a copy and paste chorus as Kele's vocals rip down the middle of the organised mess.

This band have a bundle of talent underneath their skinny frames. The stuttering beginning might throw you for a moment but give it time as the rest of the band launch a full assault on your eardrums. It's darker, more serious and grittier than previous endeavours- even more doom-laden than Hunting for Witches. This might be a song which upsets "true" Bloc Party fans- yet their admirable attempts to move forward is something to applauded rather than vilified. They have created a densely musical song which retains their ethos without compromise- as strangely addictive as The Prayer with all of the craftsmanship expected from the band.
Crawl- Kings of Leon
Lucid Dreams- Franz Ferdidnand
Mercury- Bloc Party

Oh...
In Other News?
New issue of XOX is out here: XOX ISSUE THREE with interviews with the Maccabees, Bombay Bicycle Club, Pop Levi as well as reviews, Festival fashion and competitions!
Jade XX

Pengillys

2008-07-20T06:30:00.000-07:00

1stly ; Thank you Drunken Werewolf for getting me into the loop via Pengillys. His music is heart-achingly good.
Have you ever sat by a lake, chewing a piece of grass a la Clint Eastwood whilst perusing the Collected Works of Shakespeare? No? Me either but that’s what Pengillys music makes me want to do. His music is epic, nostalgic, beautiful and raw. “Mr Punch and Thomas Moore” takes the simple strum of a ukulele and soaring vocals which turns into the chorus skilfully refraining “I will never grow old” as a menagerie of instruments take over including an accordion and violin. “Films” rattles along very nicely. A track to play when on a long train-ride where your imagination can be cast back to black and white movies and take the line “They play noble parts / Like two English hearts” and run with it.
Whereas “To London” almost feels like a battle cry with an evocative take on a march as trumpets toot and rolling piano carry the listener the more subtle “The Wind Blew Her In” whispers its message over soaring violin. “Lavenders Blue” reinvents the lullaby with sweeping noises and sweet vocals whilst wrapping it all up with a carnivalesque and triumphant musical interlude. It’s ragamuffin, Dickensian music for the here and now. “Escapades” sounds like early Patrick Wolf as ominous sounds twist and turn into a more up-tempo call to arms. Its music for the backlash to the flaccid fashionista favourites and Top Shop play-list; rolling and raucous to soft and reflective it binds itself up in triumph and tradition. It’s more than “alt-folk” it’s what’s needed in music today-whimsical nuances, thundering ideals, brilliant lyrics and talent. Basically he is wicked !

Jade XX

Films - Pengillys
Mr Punch and Thomas Moore- Pengillys
To London- Pengillys

The Faint

2008-07-17T07:35:00.000-07:00

The wildly addictive trash-punk-electro-dance band have been on my radar for quite a while and I've been hearing they are back! Thank the Lord. Their macabre and dense dance music is irresistible and makes you need to dance. Not even dance. To jerk bits of your body about in obscene ways and as arms and legs flail they drive the beat home and you look a tit as 'dancing' occurs. Its all a bit wrong.
And any thought that the band might mellow over the years is proven wrong as "The Geeks Were Right" unleashes trademark electrified vocals and frazzled synth alongside dirty drums and guitar; phew. Sounding not unlike "Agenda Suicide" it is less aggressive than "Dropkick the Punks" or "Worked Up So Sexual". If the Rapture copulated with ADULT whilst !!! watched on I wouldn't be surprised if the slightly sordid Faint wasn't the result.
However the one Faint song I can't stop listening to right now is "Glass Danse" which grabs synth laden verses and tangles them in with the dips and dives of guitar; taking a lesson from Year 8 music I know that they use tempo and dynamics to the best of their ability. It's the type of song which makes you think it's over but it continues in a stream of beat and bass. Addictive.

Their new endeavours show a maturity in lyrical content and a refinement of music but the basics are the same; dirty punk-dance music for your head, heart and soul.

Jade xx

The Geeks were Right- The Faint

Agenda Suicide- The Faint

Glass Danse- The Faint

Lovesick

2008-07-16T02:26:00.000-07:00

Haha, this is actually amazing. Friendly Fires couldn't get any better- 80s beatz meets synth laden goodness! Basically I can't stop listening to this/// Jade xx

Lovesick - Friendly Fires

Dananananaykroyd

2008-07-13T13:35:00.000-07:00

Or Dananannananannananannnackroyd (as I always end up putting one too many "anana's" in there) are the essence of youthful abandonment and the sort of night that causes you a deadly but satisfying hangover. After initially rebelling against their music I've come to realise they are actually seriously good. Their exuberance and energy might have something to do with the sheer amount of members in the band as six people sharing the weight of jumping around isn't bad going. Me and Hannah ended up seeing them live last year in a tiny, grotty bar which they utterly wreaked havoc in, winding over bar stools, under wires, into the audience and onto tables. As the lead singer caused havoc in the audience the other members pushed forth a sheer amount of sound and noise. It was a bit mental.

Listening to their songs isn't the same as watching them live- it's easier to stomach and easier to make sure your feet don't get stamped on- but songs like "Some Dresses" and "British Knights" capture their pure noise ethic.

Describing their influences as "1991 the year punk broke" is pretty genius and if you like Johnny Foreigner you'll pretty much like these I'd guess.

Listening intently there are tiny essences of Hot Club de Paris plinking and nautical theme but it's driven hard down under thundering guitars and shit hot drumming as Sonic Youth gives the whole thing a whack around the head.

The best thing is the urgent, crazy mess streams into your ears yet the band are in full control of what your hearing, "tight as a misers fist" is what my mother would inevitably say. "British Knights" rambles like crazy around guitars and raucous drumming whilst "1993" retains a little more dignity and more vocals; they are not- it has to be said- one trick pony's. They are- it again has to be said- pretty amazing!

Jade xx

Some Dresses- Dananananaykroyd
British Knights- Dananananaykroyd
1993- Dananananaykroyd

Pop Levi

2008-06-15T09:28:00.000-07:00

The cosmic scouser returns this summer with his brand of saucy glam-pop. The new album is looming & if the single "Never Never Love" is anything to go by it'll be the sickest soundtrack to the summer this side of Mars. Out of sync synth over the repeated refrain "Never never love, love, love/ never never love, love, love/ all the time" it's possibly the most sublimely addictive thing - guaranteed to have you humming it to death.

Me and Hannah caught Pop Levi in Manchester when touring "The Return To Form Black Magick Party" and it remains possibly the most intense live show I've ever been too. It wasn't packed out (but then it wasn't empty either) and the band came on to distortion, strobe lighting and a 5 minuet long intro as the maestro had a long look around Academy 3. With roaring guitar and eye contact galore it was modern-retro-chic (ooh er) at it's best.

Shifting the Ladytron electro puppy fat to reveal the slim-lined, glam rocked, 70s infused goodness of "TRTFBMP" (yeah!) thundering drums, grimy bass lines and fuzzy guitars took hold with songs like "Blue Honey" and "(A Style Called) Crying Chic" contrasting to the upbeat goodness of "Sugar Assault Me Now" and "Pick-Me-Up-Uppercut". If the Kinks had copulated with Bowie would Pop Levi be the result? A question for genetic scientists everywhere I'm sure.

Diversity and cult status as well as a cracking live show was thus achieved.

So with the looming second album and a couple of teasers on the Myspace what is to be expected? Never Never Love certainly has that ear-catching factor and the camp goodness of a dancefloor sweeping tune and whats great about Pop Levi is the strive for new, better music with something different about it. Sure there can be heard the strain of Bolan in some of the vocals or the Doors keyboards or the strum of Bowie in the guitar but this is looking forward, moving forward and dragging the listener relentlessly forward with it. Moog, drums, guitars and intensity in hand hopefully the new album will be even more astounding than "TRTFBMP" (I do like that)...

Dita Dimone is all that is sultry electro-infused with a deluge of scratchy vocals and an onslaught of glamour and dirty beats. Refrains and repeats mean for another addictive offering- they should bottle/crush up/ make up in pill-form whatever it is used to make these songs. I swear it'd sell faster than cocaine! Songs to Check= Wannamamma, Never Never Love, Skip Ghetto, Blue Honey, Oh God (What Can I Do?). Oh sack it- buy the albums and shake with excitment. Dare you.

Jade xx

Hades Lady- Pop Levi

Sugar Assault Me

Dita Dimone

The Rosie Taylor Project

2008-06-13T03:35:00.000-07:00

Like Belle and Seb taking it down a notch The Rosie Taylor Projecthave the balance between pretty noise and evocative lyrics. Slow-paced but not to the point of ennui they don't drag the listener to the end of songs but rather ramble down a country lane with them, pointing out interesting wild-life along the way. Not one for the post-punk lovers then but I bet if Byron were alive he'd listen to these; it's romanticismfor the 21st Century. "Sun on My Right" grapples with acoustic guitars and brass instruments with duel vocals harmonising (very Slow Club). Nostalgic and summery and tender and folk inspired are all ways to describe this band yet looking a bit further and melancholy refrains seep through as trumpets and achingly maudlin vocals wind across each other. It's versatile music, catchy enough for a summers day yet with sad nuances for the heartbroken to be heart warmed.
"A Good Cafe on St. George Street" sketches lovely scenes in front of the listener showing storytelling skills nearly to rival Johnny Flynn; melodic lullabies with glittering riffs which meander over trumpets, electric keyboard, bass, french horns and drums. It would be easy enough to lump them into the 'alt-folk' genre but there is more to them that that- their songs sound like Noah and the Whale's "Mary" or Laura Marlings "Shine" but the use of trumpets and the downplaying of the acoustic guitar at times means they take on a new edge and a more lo-fi sound. Best song "A Few Words of Farewell" is magic and melancholy affair and possibly the slowest of their offerings; it's focus relies more on the lyrics than musical content here but it works well ("A blank space where the fragments lay") and the vocal harmonies take over.

Defiantly goose bump inducing and possibly tear reducing they play on human emotions with not only their lyrics but with their pretty-pop music too. Lovely.

Jade

Transgressive

2008-06-12T15:56:00.000-07:00

This years Transgressive tour has come up trumps with a sterling line up of 2008’s brightest sparks, with bands that have yet to reach widespread acclaim however their potential has not gone unmissed. With such a line up of strong live performers its seems these set of gigs will not disappoint from clerical Goth to living room folk there is clearly something for everyone in thus sublimely eclectic combination

Ox.Eagle.Lion.Man
So its seems there his been a significant transformation from the twee cardigan and cravat wearing Les Incompetents as its remaining members are clad in religiously gothic garb. Careful to establish a distinct reputation from the start shows that with this change comes a refreshing musical evolution which promises they’re live shows to be a rawkus yet perfected, something stylishly hard to pull of. With this experience comes an odd sense of sophistication yet remaining is the exuberant energy and passion to perform ..

Their exploration of a deep and sultry style is an intensity which has been sorely missed since the likes of Joy Division. In tracks such as ‘Motherhood’ it’s this unusually sinister musical spin that excites and intrigues completely with a pounding bass always on hand to reinforce they’re discovery of powerful new ground.

Esser
‘Pop Pop Pop’, or so he describes himself. Esser is very much the new enigma on the music scene with his odd style collaborating perfectly with his bizarrely original embrace of all things peculiar which makes his sound so refreshingly worthwhile and much needed! He never fears to explore what others may avoid with a beautiful simplicity with the use of stupidly catchy chorus’s, stripped down drum machines and a heavily addictive accent dripping with attitude and confidence which by the sound of these demos is by far justified.
‘Headlock’ sands out as his finest song to date, musically it uses only the bare essentials but its within the words where the talent lies as there is a raw sincerity that’s so unfounded today in songs that aim to please the buyers and leave no long lasting satisfaction.

Jeremy Warmsley
Jeremy is certainly a man in the know, with a list of indie/folk friends that would make anyone jealous with the likes of Johnny Flynn, Mystery Jets, Laura Marling and frYars. Cleverly however, he has used his contacts to showcase some of Britain’s finest talents, including his good self through ‘This is our TV show’ in which his charmingly corwded lvving rooms in crammed to the brim with a lively crowd watching adoringly at such an atmospheric experience! Not only that, but this is also a clever lad adorning a degree from Cambridge only making his talents more envious. It’s within the ‘Boat Song’ that Warmsley’s voice flickers with a beauty that seems to blend seamlessly with each collaboration he ventures within. There are so many new folk bands cramming our ears at the moment but it has to be said that there is a spark of difference in this man, an easae within him that conjures a smile on any listener.

So So Modern
It has to be said I had not been exposed to the music of So So modern before seeing them within this line-up but on hearing they’re music it quickly becomes apparent what they have to add with the lads from Wellington claiming there influences (rather sensibly) being amongst cosmology, theology and urban foolery these. A frenzied compilation of all that is great, with acidic electro cleanly with crisp vocals that instantly makes your body jerk, a ready made dance floor band ready and armed to charm their way into our hearts

Attacking us ladled with an army of instruments, instead of overwhelming is strangely enticing and moreishly addictive, the musical equivalent to the Pringle one might say. Ordered chaos is necessary oxymoron that can only describe this sound with harmonies that sprinkle over this harsh jagged and wondrous noise.

Totally Addicted...

2008-06-11T03:26:00.000-07:00

...Unfortunately not to bass but to the sultry sounds of Françoise Hardy. She sang in a variety of languages, came fifth in the Eurovision Song Contest and epitomised European chic. Oh and sang with Iggy Pop and is referenced by Bob Dylan. Phew.

With all the sounds you'd associate with the 1960s; twangy guitars, harmonies, that tweak of 50s rock'n'roll but with the soaring, multi-lingual voice of Hardy over the top. Lovely! The type of music I use to close my eyes too, imagine I'm sipping cocktails in a Parisian bar while the sun shines and, oh yes, I have managed to travel back in time.

As well as singing she also appeared in "Whats New Pussycat?", "Masculin-Féminin" and "Chateau en Suède" and currently resides in Paris. I don't think I've ever been more jealous of a women in all my life- scratch Agyness Deyn or Kate Moss - this women met Jagger for crying out loud!

Jade xx

Dis Lui Non- Françoise Hardy

Je n'attends Plus Personne - Françoise Hardy

Nous Tous- Françoise Hardy

Bright Sparks

2008-06-07T04:20:00.000-07:00

Oh thank the lord, its safe to say the dreaded exams have finally ended and no longer will we have to face sitting at a desk feeling despair (well apart from my inevitable re sits any how!). This has resulted in a great sense of relief with the lure of twee picnics accompanied with a refreshing beverage nearing ever closer, regardless of how the English weather behaves as I am fully prepared to sit in the rain safe in the knowledge that is it summer. I don’t care what anyone says, no matter how masculine you look a pint of cider is possibly the most sublime of drinks! (No white lightening shite, Strongbow all the way). Anyhow with this regeneration and brief reencounter with the sun, it seems the most fitting time to re discover musical classics. I present Sparks. One of music’s oddest; Hitler tash wearing, eternally youthful, charismatic sibling duo’s to hit our airwaves. And I know that may seem a narrow gap in the market however they tick these boxes and so much more.

So rather admirably the band have embarked on an extravaganza of musical delight by playing an album a night form their extensive back catalogue performing over 256 songs! The effort and passion they sow towards music still today is both amazing and deeply underrated. Recently there has been a flourish of disappointment with bands returning second album yet in their 21st masterpiece Spark are unfazed by any pressure, showing that longevity is quite possibly the most significant trait for a band to carry. What makes this band so unique is there refreshing wit with titles such as “lighten up Morrissey” what more could you possible want in a band? And they carry their talent still, with a credibility that is lacking from such OAP’s as Paul ‘I suddenly love the mandolin’ McCartney. They’re infinite song “This Town Ain’t Big Enough For the Both of Us” is somehow imbedded in everyone’s brains however is an unfair reflection of the better works with a timeless electro-pop style filled with the attitudes and obsession of a yesteryear England which amplifies their extraordinary quirkiness.

Also on a non musical related note yet continuing my reminisce down classic lane I briefly mention my sheer fascination with the great Malcolm McDowell, possibly one of Britons greatest actors with an eternal twinkle in his eye. As summer has sprung I have embarked on watching his trilogy including ‘If…’ and ‘o lucky man’ which land high in my expectation due to his outstanding and superbly chilling portrayal of Alex in A Clockwork Orange, brought to visual life by Stanley Kubrick. His level of ability at that age made me eternally envious yet left me in a complete trance by his captivating presence on camera with his presentation of such bizarre language being flawless and extraordinary. It took me many years to pluck up the courage to watch the film and I am devastated I wasted so much time in prolonging such a vivid experience!

Hannah xx

KASMs

2008-06-06T03:25:00.000-07:00

I really love it when someone says "Hey listen to this band" and they turn out to be seriously good. Like the type of band you wished you'd tipped people off about and heard first (worst luck Forrest beat me too it- but never mind).

I mean I never knew what the word "blood curdling" meant until the shrieks emitted from KASMs occur ed. Taking a member from Test Icicles (and taking it in a direction as far from Dev Hynes' new stuff as possible) and a member of RAT:ATT:AGG, two defunct but brilliant bands, and grabbing two girls they've got the feedback meets pulsing beats via sonar vocals thing down. And it works!

KASMs have style but as well as that catchy macabre songs like "Taxidermy" which takes brooding guitars and a lead singer emitting shrieks and yelps like Siouxie has mated with Debbie Harry. It's a bit punk, its a bit moody. The likes of Ipso Facto and Violets have been joined by KASMs; strong female vocals floating (or rather writhing and stomping) over the favoured discordant guitars, wicked bass and thumping drums. "Toil and Trouble" doesn't really focus on lyrics, quite the bit of repetition going on, but it does have strong beats and a spiky, staccato guitar riff and "Siren Sister" takes the vocals down low and with elongated vowels speeding over electro-punk ending with an abrupt "Amen".

The songs are good, no doubt about it, but there has been a surge of this female fronted, synth laden, messy-punk hybrid for a while. What sets them apart is the energy. If so much comes through via computer speakers imagine them live. It's probably a snarling, writhing, loud, feedback-driven success. It's probably one for the faux-fashionista's who clung so hard to the Horrors to sink their teeth into; the type of music messy haired individuals with amazing shoes and a penchant for brooding will like- but finally getting it right with the music. Lead singer Callaghan has finally provided us with a rock icon for our generation; the Poly Styrene we needed before Adele or someone became the voice of the disenfranchised youth.

"Mackerel Sky" sounds like someone has grabbed early 60s-psych or the Beatles "Benefit of Mr.Kite" and roughed it up a bit. Mugged it's cash but left its purse. Industrial size noises pipe up and down as the odd-pop lyrics wind over the top (with eerie yet by now expected shrieks).

Absolutely brilliant yet discordant music providing pulsing, writhing, odd and fantastic noise.

Jade

The Kabeedies

2008-06-05T02:54:00.000-07:00

The Kabeedies are a tumbled up hybrid of Be Your Own Pets energy, Cheeky Cheeky and the Nosebleeds elusive lyrics and Shrags yelps. Singing about how lips taste like petis filous (calling to mind that annnooooying advert with that girl who likes to beat up little boys), asking that all important question "Who's your favourite / Kung-Fu artist" and the teaching the world about the 'Coaster Game'. It's indie-pop with talent!

"Mythical Beasts" has rock'n'roll guitars, fingers slipping along keys and inspired lyrics "I'm just a mythical beast / Drawn on the back of the Birdcage toilets" it sounds like Goodshoes but taking themselves less seriously. They have a distinctive sound, something rare in a band so 'young' or at so new. "Lovers Ought To" is art rock at its finest as Katie takes lead vocals yelping over those delightfully sketchy drums and Maccabees-esque guitars ("About Your Dress" rather than "Toothpaste Kisses"). "Palindromes" tackles that tricky subject of ADHD (a popular topic- didn't Blood Red Shoes toy with that idea too?); this is probably the weakest song out of all of theirs but there are some nice screams midway through to focus attention back. And a great image of "Both my parents are palindromes".

Strong vocals- the whole boy/girl thing going on- singing staccato over ringing guitars and scratchy drums and throwing it in the air to make concise-pop (none of their songs extend over 3 mins). But less is more, catchy hooks and singalong choruses pop out amidst accapella, indie-stomping beats and references to Roxy Music. Surely they could take over dancefloors and airwaves alike- their music is as catchy as influenza and as addictive as cocaine, but in both cases not as life threatening (unless you have a dicky heart and a penchant for jumping about erratically when dancing)! Yay!
Jade
xx
Check out their myspace for The Kabeedies favourite condiment of the week & to purchase their new single!
Coaster Game - The Kabeedies
Petis Filous - The Kabeedies
Sideburns- The Kabeedies

Exam Stress

2008-05-29T04:08:00.000-07:00

Oh dear. A week today and exams are all over for me but until then its stress and revision and escaping from revison through various forms.

One form = the genius of Jeffrey Lewis. If you fail all your exams who cares? If you can play an acoustic guitar, make up some witty and clever lyrics, draw wicked cartoons and be an 'anti-folk' icon your sorted and can follow in the footsteps of the man himself.

For now though you could just listen to these and chill for two seconds before picking up the books again (urg):

Back When I Was 4- Jeffrey Lewis
I Ain't Thick- Jeffrey Lewis

I could go on and on and on and on and on (etc) about the amazing music created by JL but, you know, gotta revise and all that (making the point of the post nicely I think)... byeeee !

Jade
xx

LIVE: Noah and the Whale / Slow Club

2008-05-24T10:41:00.000-07:00

Went to see Noah and the Whale and Slow Club last night at "Get it Loud in Libraries" in Lancaster Library. A completely brilliant setting as the bands are hemmed in with books, spoken word tapes and cds on a stage and a venue seriously intimate. People sat crossed legged on the floor in the manner of five year olds (but ones with good taste in music- not the Tweenies or something)...

Slow Club have compact and sublime songs ranging from raucous to soft. Masters of crescendo its really hard to believe only two people are up there making so much sound. Shouts and duel harmonies so lovely they lie next to each other perfectly, entwining and breaking at different points. to tell the tales Stories are told through the medium of guitar, drums (and old bits of chair tapped loudly) and voice; "Apples and Pairs" takes simple melodies and a smooth pace and adds lyrics sprinkled with melancholy and a twist on a simple love story. "Me and You" shows the dexterity of the band in that they can make faster music which gathers the audience up in its joyful dips and dives.

Noah and the Whale were superb! Racing through "Mary", "Jocasta" and "Shape of My Heart" they played a tight set with various members taking up different instruments and Rebecca (Slow Club) on harmonies. I've long been enjoying this new emerging "folk" scene (neu-folk? Oh dear God no. Getting a bit of the Klaxons touch with genre going on!) and live Noah and the Whale sounded better than ever. Crisp sounds fly over one another as guitars and glockenspiel and violin and drums weave around creating beautiful noise. The influence of the "anti-folk" / Jeffrey Lewis thing is almost tangible and culminating their set with "5 Years Time" a feel good glow almost descended on the audience and heads bobbed and hands clapped and some Spanish people filled in optional "Woo's" and jigs. They came back on to play a Temptations cover trying (slightly failing) to get some audience participation going on and leaving the stage to a wealth of new fans.

Jade

Esser

2008-05-23T02:10:00.000-07:00

Is it noise? Is it music? Is it a comfortable middle-man? IS IT ALL THREE? Do these questions make sense?
Ahh, the beeps and bleeps of Esser, disconcertingly catchy. I'm not altogether sure it should work, electronic voice drifting over funky (yes, funky) bass and synth. "Lets Work it Out" is guarenTEED to have you humming, singing, dancing, pointing fingers in a 'Saturday Night Fever' kind of way and all the time the relentless rush towards the end nearing in sight. Play it again, Sam. "I Love You" take disjointed synth, sort of like being at a fairground but with added cool (have you seen his hair?- very cool). A modern love song, really. In the same way Crystal Castles defied musical genre and had noise-music which made sense after a few listens Esser has the same sort of thing going on. "Headlock", on first listen, is like "Huh?" second listen though the discordant vocals are appealing, the backbeat is the most important thing ever and indeed "you press the button/ I start dancing" becomes a true statement on both listener and artists part. It's taking musical genre and turning it on its head. Discordant-pop? Whatever it is I liiiike it! Catchy as fuck and ace live too; talent in abundance.
It is rather too early in the morning to write in coherent sentences about music, sorry.
Jade
xx
Esser's Myspace
Lets Work It Out - Esser
I Love You- Esser

Chester French

2008-05-22T05:25:00.000-07:00

They're signed by Pharrell (or something) and sing about meeting girls in 'grocery' stores, Jimmy Choos and are quite, quite American with a Beach Boys-meets-Harvard-graduates 'vibe'.

"She Loves Everybody" sounds as if it could have been plucked from the 60s except for the slightly risque "She craves affection/ So I use protection" instead of the more innocent "I wanna hold your hand" from the Beatles. There is the twang of the guitar next to the twang of the American accent, harmonies and innuendo-take-another-look lyrics. An undercurrent of electro buzzes next to the retro-pop feel. Summery enough to make a bit of a splash in the chosen season and (hopefully) a sense of tongue-in-cheek as one of them sings "Is she just another shortie" - A burning question to ask and I know Pharrell is producing them but the hip-hop slang doesn't sit well unless its a bit of a piss take. Oh and "Jimmy Choos" has a nice bit of repetition in the "She needs Jimmy-Choo-ooh-ooh-ohh-oos"- innovative I'm sure you'll agree.

Anywayyyy... I'm quite liking their blend of different influences; the fact they dress 'preppy' (oh the American colloquialisms) yet have major hiphop stars foaming at the mouth and have named themselves after a famous sculptor. 'Dig it dude'.

Jade

She Loves Everybody- Chester French

Jimmy Choos- Chester French

People- Chester French

Sun and Cynics

2008-05-11T13:38:00.001-07:00

I am one of those people who doesn't find talking about the weather boring. It doesn't represent a conversation dying on its feet between two awkward (and probably related) people; instead it represents a nation finally able to go outside and play frisbee, or drink wine in a park or merely just sitting outside the confides of their houses like the people of Europe do everyday.
The sun has been shining for about a week now and for Manchester (and England) that is no mean feat! So to celebrate:
Good Day Sunshine- The Beatles
And for the dash of cynicism every good day needs: Joe Strummers Grave- Billy Childish
Billy Childish has everything that is good and pure about punk, rock'n'roll, The Clash, the decline of Britain and wit combined in "Joe Strummers Grave". He is inimitable and does far more than I could ever write about or do justice too; creativity personified. Things about Billy Childish
Enjoy!
Jade
xx

LIVE: Lightspeed Champion/ Operator Please / Ox.Eagle.Lion.Man

2008-05-10T06:38:00.001-07:00

Venue: Manchester Club Academy

Date: 05/05/08

First up were Ox.Eagle.Lion.Man with a phenomenal live performance for a band first on the bill. Energy and talent swirl around the ex-Les Incompetent front man and the blend of eerie subject matter and haunting guitars and synth couldn't be further away from spiky indie-pop if it tried. Like disconcerting chamber music but with an endearing, popular twist. Chamber pop, perhaps?

Dev sneaked on stage to play guitar in their last song and material like "Fatherhood" and "Matter of Time" was executed with precision and passion.

Operator Please took a completely different take with bouncier sounds and ferocious violin making up most of their set. The vocals have a tinge of "The Noisettes" about them and songs like 'Leave it Alone' have potential to be dance-floor classics. Blending a menagerie of instruments, strong vocals and that undeniably addictive Ping Pong song they had most of the audience dancing and bobbing about. Highlight of the night had to be watching a man of at least 50 with a beer-belly and fashionable goatee punching the air and singing along despite evidently not knowing any words other than "ping pong".

Lightspeed Champion have evolved ten-fold as a live band. From bashful and awkward on stage to engaging in almost full blown conversation with members of the audience there is a departure from apologies and mumbling. Launching through "Galaxy of the Lost", "No Surprise" and "Tell me What its Worth" with skill and sureness a confidence surrounds the band. Dev Hynes still retains some of that bashful awkwardness that makes him such an endearing front man, though. Dealing with one girl yelling out "Can I be your girlfriend?" he fends the question off with a couple of blinks and by launching into another song. Getting Fred from Ox.Eagle.Lion.Man on-stage and Dev setting up stall behind a drum-kit they did a cover song and before launching into the epic "Midnight Surprise" came a rendition of the Star Wars theme tune; showing the sense of humour hasn't been lost amidst the tightening up of live performances.

Vocals which soar over the crowd coupled with the violins, guitars and drums gives the folk-esque genre a new twist and new material played sounds even better than earlier stuff with a more guitar-led twist. Finally shaking off the Test Icicles cloak which veiled him at the beginning of his new musical endeavour Dev has proved that the songs are filled with talent and wit and now a new sense of refinement and confidence.

Jade

A Matter of Time- Ox.Eagle.Lion.Man

Another Fight- Lightspeed Champion (Theoretical Girl cover)

Cassie and the Cassettes

2008-05-08T10:57:00.000-07:00

At first Cassie and the Cassettes seem like a band focused on plinking keyboards and whimsical vocals. Looking a bit further brings out lovely lyrics and an upbeat message which is tinged with a touch of melancholy ("Today was fine/ But I'm not ok"). The perfect songs to sit back, close your eyes and let the music do its magic. A flutter of tounge-in-cheek graces "But I suprise you / When I say I don't like you" as the keys and guitars lull the listener into a vocal-focused message before launching back into the chourus. It's really like Kate Nash if she had talent and better lyrics than her face full of freckles or like Soko without the French-tinged accent.

"Two of a Kind" is up-tempo'ed and still lovely! It swoops and soars; perfect summer pop; tender lyrics and hearfelt vocals. Based in London so the vocals do at times have a cockney tinge but thankfully not full blown "orite guv'na, apples'n'pairs, I'm-a-bleedin'-cockney" stuff! I swear you'll be humming to these songs in you sleep and my only grumble is that there isn't more music to be heard as of yet!

Subtle Belle and Seb tones whisper through the songs as the distinctive keyboards and skittering drum beats creates magical undertones. It seems simplistic yet skill and substance surround the band and as they themselves pledge "the band are now ready to fight injustice and bands full of pale Smiths obssesives, invading public eardrums along the way…"

Super!

Jade x

Two of a Kind- Cassie and the Cassettes

I Don't Like You- Cassie and the Cassettes

Remix

2008-05-04T03:02:00.001-07:00

There are a million-and-one remixes of every imaginable song and genre. A craze which either renders songs ten times better or completely massacred- there are no grey areas.
I'm addicted, possibly belatedly, to Rumble Strips on Amy Winehouse. Hot foot it down to redthreat.wordpress.com for lots of other electro-ridden goodies + Mystery Jets remixxxxxx'ed by Shoes (beautiful to say the least).
Jade
x
Back to Black- Amy Winehouse (Rumble Strips Remix)

John and Jehn

2008-05-03T10:37:00.000-07:00

There is more than a hint of brooding and darkness underneath the overlapping synth and French-accented vocals of John & Jehn. A tres, tres cool et jolie fille et garcon (ouch, GCSE French) living in London they give the impression that they are so cool it might just hurt to touch them, speak to them or ever lay eyes on them. Describing their split EP (one "John" and one "Jehn") as a 'conversation' rather than 'battle' their hybrid of taunt, angular guitars and swooping synth makes at first an uncomfortable hearing and the strained vocals emit screeches from time to time. Yet this is like Ipso Facto without the Horrors haircuts (although Ipso do manage to hold a tune a bit better J&J have gritty garage infused music to fall back on). With Velvet Underground-ed glamour the synth cuts like a blade through "1,2,3" wrapping the whole song together in a Joy Division-meets-The Fall-meets-The Slits. Post-punk with a French twist. "20 L 07" takes a departure from moody-pop and combines a bouncier sound and electronic feel; one trick ponies they are not. Boy meets girl, boy sings then girl sings, boy and girl unfurl to show a shared love of music and wearing black. Basically a loved-up couple making music together in a brooding, swaggering and confident manner; cool as fuck and like those faded rock stars presented in black and white. "Fear Fear Fear" has echos, repetitive sounds and a desperate undertone which grapples with the listener and leaves them disconcerted in a good way. Split-vocals focus on monotone, whispers, screams of anguish, sultry harmonies and breathy sighs; and lets face it everyone loves a couple of ultra-beautiful things creating chic-rock'n'roll.

Jade

Fear Fear Fear- John & Jehn

1,2,3

LIVE: Mystery Jets

2008-04-14T09:21:00.000-07:00

Venue: Manchester Night & Day
Date: 13th April 2008
A second album is always hard to get right. Especially when the first is so good. Mystery Jets, then, have achieved something great; not only is their second album so different from the first with its 80s inspired beats and broodier sound but it also translates amazingly well live. Starting their tour in one of Manchesters smallest venues the dark electro noises and wailing sirens that began the set were made even more eerie as the band entered the stage to rapturous applause. Launching into "Hideaway" with its skittering refrains and synth-ridden chorus ("Hideaway/ Hideaway/ Hideaway-oh-way-oh") the crowd began dancing. Songs like "Flakes" were pitch perfect with harmonies to melt the heart. There is a feeling behind the lyrics and music which connects both the audience and the band and songs like "Veiled in Grey" and "Half In Love With Elizabeth" show a penchant for slightly oblique lyrics ("I can see a pink elephant and it's standing at the corner of the bed") and a menagerie of musical instruments. "Young Love" had the crowd swaying in time whilst mouthing along to the words and new singly "Girl Next Door" perfectly epitomises their new sound. Whats lovely about the Mystery Jets is not only do they care about what they do but they do it well! And take away any part of the songs (drums, guitars or cowbells) and the songs would loose something showing that "less is more" isn't always correct.
The only downfall to showcasing a new album is not all the audience will be familiar with it. Slightly disappointingly they only played "Diamonds in the Dark", "Zoo Time" and "Boy Who Ran Away" from the "Making Dens" album; but the band did seem somewhat surprised at coming back on for an encore! It's a good job their new stuff is almost better than before and its clear to see them evolving as a band. And you know a mark of a good band is when you feel the band should have done more songs, plus b-sides and demos and acoustic solos and instrumentals and gone on forever.
Jade
xx

Hideaway- Mystery Jets
Veiled in Grey - Mystery Jets
Girl Next Door- Mystery Jets
Lizzies Lion - Mystery Jets

LIVE: Adam Green

2008-04-12T10:48:00.000-07:00

Venue: Club Academy
Date: 11th April 2008
Firstly, the Paddingtons were only. As punk as ever and showcasing a fistful of new material (in fact the only old song they played was "Panic Attack"). It would have been nice for some older material to be integrated into the new stuff but at least they've still got catchy, if slightly embryonic lyrics, and music that makes you want to jump about (or head nod vigorously). And then Noah and the Whale with Rebecca (Slow Club) on xylophone and harmonies. Chatter subsided once the songs kicked in and "Five Years Time" was near perfect with whistles and hand claps and whimsical lyrics with songs like "Peaceful the World Lays Me Down" taking the pace down only to be whizzed up with "Jocasta". Their range of talent and musical instruments is matched with gloriously poetical lyrics.
Adam Green, in a word, amazing. Whipping through countless songs it was a charming, witty and at times shambolic. Giggles inflitrated songs, lyrics were half forgotten and amps blew up (resulting in an impromtu acoustic performance); stage banter came in the form of an odd retelling of an alien popping out of a band mate which Adam claimed (in a 5 year olds voice) "I gave it a blow job". Riiiiight. Bounding onto the stage with quite the bit of enthusiasm the audience were treated to a greeting "Hello Manchesthair; Man Chest Hair; this is my man chest hair" whilst high-fiving audience members and clad in a fetching shirt which dripped tassles from the sleeves. It was a performance unsurpassed by anyone I've ever seen and wildly eccentric. This eccentricity bleeds into his lyrics too; "Mozzarella Swastikas" claiming "Well we came upon a cracker/ and we came on this cracker/ and the last one had to eat it/ and she did" (this being punctuated with giggles and "This is the best bit, listen up!"). During some of the acoustic bits chatter sounded up; only to be shushed by Green and audience alike. Songs like "Nat King Cole" and "Pay the Toll" bled perfectly into one another whilst also demonstrating how the sound has matured with a full band as seen in songs like "Morning after Midnight". It was a show of many parts with a hilarious and unique front man; joined half way through by Josh and Tom from the Paddintons they performed a 'new' song "Ladyboy" (or something like that) which claimed "Your from Thialand/ thats not my land". Urrg there is too much to recount but suffice to say it was quite the evening. And he sand "Dance with Me" and "Emily" and "What a Waster" abnd "Getting Led" and "Gemstones" as well as leading a crowd sing-a-long with a few too many reprisals of "Cocabana" (I think that is how you spell it?!). Well anyway, it was much, much better than good and better than a shot in the foot anyday!

Jade xx
Dance with Me - Adam Green
Mozzarella Swastikas- Adam Green
Morning After Midnight- Adam Green

LIVE: The Teenagers

2008-04-05T05:04:00.000-07:00

Venue: Manchester Roadhouse
Date: 1st April 2008

Even if you didn’t know this band their name would suggest their tongues are firmly placed in cheek (literally in the case of songs like “French Kiss”) with wittily crude lyrics jumping from behind the scratchy guitars, thumping drums and electric beeps. They’ve added two members for live purposes, spurning the drum machine and adding a girl guitarist to the mix and they’re as geek chic as ever.
Launching into “Starlett Johansson” with slightly smug smiles curling their lips as the crowd instantly recognise this ode to Scarlet they join in the dancing with wooden yet enthusiastic dance. They also whipped through “III” which provided a mellower refrain of “I don’t know anything” and more music made for air punching and bum shaking. Even the most ardent feminist couldn’t deny that “Fuck Nicole” is one hell of a song, the whole two front lines of the crowd moving in unison and even the girls (in fact most of the front two lines were girls… surely much to the satisfaction of the band!) singing “Fuck Nicole/ It’s out of control / Call Nicole and fuck Nicole”. Songs like “Streets of Paris” mean that the band couldn’t be more French and singing in sweet Parisian-tinged accents “Riding bikes and talking loud/ they were wearing Nike caps!” they managed to show that the streets of Paris are just as full of scally’s as the streets of Manchester.
Possibly they’re most well known song “Homecoming” meant that the band dragged a couple of girls on stage; as usual one over-confident and the other self-conscious which meant that the backing track did most of the singing. They show they aren’t to be taken seriously and people who do are missing the point; and yeah, they’re no longer teenagers themselves but the personas of the songs are and as they say themselves “We’re playing the songs and you’re dancing along/ Feeling better/ you’re feeling better”… It’s all in the name of fun and all in the name of ‘youth’… And they’re great live too!

Jade xx

III- The Teenagers

Love No- The Teenagers

Streets of Paris- The Teenagers

Fuck Nicole- The Teenagers

1984

2008-03-27T13:35:00.000-07:00

An MSN convo:
jade says:
also
jade says:
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=81039960
jade says:
They're French, supporting Blood Red Shoes and called 1984
jade says:
best band ever?
Harri Chan Lancker I'm gonna love you till the stars fall from the sky says:
LMAO!!
Harri Chan Lancker I'm gonna love you till the stars fall from the sky says:
actually
Harri Chan Lancker I'm gonna love you till the stars fall from the sky says:
LMAO I LOVE THEM
jade says:
they are too too good!!!!
jade says:
like horrors and franz ferdinand in one
jade says:
actually love
Harri Chan Lancker I'm gonna love you till the stars fall from the sky says:
and a bit kraftwerky
jade says:
a bit joy divisiony
Harri Chan Lancker I'm gonna love you till the stars fall from the sky says:
perfection
jade says:
Desert Dancers = actual tune
Harri Chan Lancker I'm gonna love you till the stars fall from the sky says:
thats my favourite

Ok, the MSN speak possibly doesn't do them justice but LOL THEY R GUD ok!? Double-whammy endoresed band by the name of 1984.
Not only named via George Orwell but a bit too catchy as well!
1984 Myspace
Can't say fairer than that !!
Jade x

Fanfarlo

2008-03-25T08:21:00.000-07:00

In a quest to dispel the weather (I mean, it is actually snowing/hail stoning in March... Unimpressed!) with happyhappyhappy music Fanfarlo are the newest order of the day to close your eyes and pretend the sound of hail stones against the window is really a cool summer breeze / bee's trying to get in or something.

Basically it's jingly jangly music which is so feel good it becomes a little bit wrong. A wondrous amount of instrument are involved, the affectionately named 'glock', banjo and mandolin make an appearance and it's all a bit Belle and Sebastian with elements of Pavement whispering in the vocals. The same thing that's got people physically shaking with excitement about Vampire Weekend can be seen in them. Oh, its all a bit folksy but not just that they've managed to squash feelings, charm and melody into perfect pop song length. And they're unsigned (not for long I shouldn't think). Songs like "Harold T Wilkins" and "...Outsiders" have a subtle eloquence and it seems to literally shit sunshine and summertime; and despite that horrible imagery their songs really are delicate with a sort of happy around the edges glow.

Jade xx
Fire Escape - Fanfarlo
Harold T Wilkins- Fanfarlo

An interview with Josh Weller

2008-03-20T14:05:00.000-07:00

We spoke to impecably dressed folk super talent Josh Weller on his plans for the future ...

1. How important has myspace been for you personally?
Until i get a website made, probably very important. I write stupid blogs most days about things i find funny and people can get in on it. its like a little club

2. What are you aims for 2008 and what can we expect musically?
my first single Pretty Girls came out last week, there's a weird music show thing called 'Tourist Guiding with Josh Weller'. I'll start the album at some point.......

3. Who are your main influences?
Richard Pryor, Chet Baker, Woody Allen, Tom Waits, Elvis Costello, Randy Newman, Cole Porter and Irving Berlin.

4. How would you describe your own music?
All of those moments when you wish you could spontaneously burst into song.

5. How important do you think style and appearance is for a performer?
It depends on the performer i think. Randy Newman never dressed up and he wrote far better songs than Adam and the Ants. For me, i like to look like i could either play a song or go clay pigeon shooting at any given moment.

6. If you could do a duet with anyone dead or alive who would it be?
Chet Baker or the B52's

7. What is like to have your first ever single released?
Never before have i had so many family members phone me up asking for a free copy.

8. Do you think being from and in London has influenced you msuic?
Definitely. London is one of my favourite places to get bored in, there's always something to make you 'un-bored'. and there's so many great bands and musicians all over the city.

9. Has being in a band lived up to its expectations so far?
I don't really know what the expectations are. i've never thought about it. i'm having a lot of fun though.

10. What are the best and wost apsects of playing live?
worst - the toilets, the food, the sleep, the roads, the sticky floors,the tinitus, the load in, the load out. soundchecking at 5 and playing at 11, the void afterwards.
best - playing live is the best thing in the world and nothing can beat it. it is actually better than i can put into words.

hannah
xx

A few reviews ...

2008-03-20T13:34:00.000-07:00

Lightspeed Champion

Galaxy of the Lost

It appears that a solo route is something that suits ex test icicle, Dev perfectly and his style couldn’t be further from his musical past. The vocals within the track are delivered with an envious ease, dripping with sophistication and sultry charm. A quirky lyrical content teamed with an unusual yet simple use of violins proves the track to be unique, breaking away from their contemporaries. It seems, for the moment, that the ever popular electric influenced sound has been replaced by acoustic, a genre which has been unfairly tainted recently with the annoyance of pop drivel such as James Morrison and James blunt. The ever changing pace throughout the track prevents it from becoming yet another ‘new folk’ song showing that Dev has quickly and efficaciously established his own style, a brave move and one which has avoided his career being tarnished with the test icicle label.
It would be unfair to classify the band as ‘folk’ as this seems to strip the band of the individuality that they have so effectively created. Lightspeed champion have still yet to portray a fully grown confidence with their presence both live and on record however their natural ability to produce beautifully crafted songs is undeniable and its this humble modesty which makes their music so endearing and in a way quintessentially British, a talent we can finally to be proud of.

We Are Scientists
Brain Thrust Mastery

With 2008 comes a band shake-up for our favourite New Yorkers, We Are Scientists. The sad departure of bearded comrade Michael however has not held the band back with their creativity and if anything has plunged them further into exploring their freedom and ability further especially with a varied use of new instruments.

The band’s sound has developed and matured, with a lyrical content to match. No longer are they worrying about passing on the floor, instead the ponder the trials and tribulations of being with ‘the one’. The band appear to have mellowed, rarely is a busting electrically charged, acid infused pop nuggets to be found on “Brain Thrust Mastery”. However this is by no means a bad thing and shows how the band has concentrated on their previous weakness and played on their known strengths, Something which in turn has produced a musically strong album, worthy of high praise and success. Chris’s vocals have finally been used with splendid results for this record to create a natural harmony something which “with love and squalor” lacked. This gives the tracks greater impact and strength with their delivery, something which is perfectly illustrated on tracks such as “Dinosaurs”
With this album comes a loss of their previously youthful enthusiasm however their talent eradicate any doubts that a listener may have. Keith and Chris appear not to be fased by the pressure of producing a successful second album and certain stand out track on the record support this. Keith’s vocal ability is something which has been easy to overlook in their previous releases however in tracks such as “Lethal Enforces”, easily the strongest track on the album, it’s hard to avoid how his talent makes a song transform into a classic. “That’s What Counts” initially bursts with a stream of trumpets to finally evolve into a sleek and confident track, a perfect parallel to the bands sophistication and style. Similarly ‘After Hours’ is beautiful in sentiment with injections of acoustic peaks and troughs which gives texture and variety to their new sound.

We are scientists are unique in their ability to team both comedy and music together in a harmonious balance. Personality is often a trait which is not taken into consideration with today’s indie scene but is something which gives the band an important edge, their intelligence and wit is something which they transfer into their music successfully and gives their music a timeless essence.

Hannah

Everyone I Know Is Listening to Crunk - Lightspeed Champion

http://www.megaupload.com/?d=9W9NLWUA

Galaxy of the Lost - Lightspeed Champion

http://www.megaupload.com/?d=9SUUZAKN

Lethal Enforcer.mp3 - We Are Scientists

http://www.megaupload.com/?d=TAVE8Z44

Impatience.mp3 - We Are Scientists

http://www.megaupload.com/?d=MWW4OJ31

Violet Vector and the Lovely Lovelies

2008-03-16T04:45:00.000-07:00

If the weather wasn't so horrendous of late and if there was even a glimmer of sun I'd be advising sitting in the garden, cool drink and VV and the LL in tow. Serious 60's vibes and a more credible Pippettes-esque sound surround this band and its almost impossible not to smile when listening.

Numerous instruments hover about (glockenspiels, bells and an organ jump out of the drums and guitars) and technicolour, sunshine pop emerges.

And since there is no way to travel back in time to said 1960's (mores the pity) it is just as well they're on hand to provide nostalgic and colourful music to pass away the awful weather until summer manages to emerge!

Jade xx

Their Myspace!

VV&LL - Can You Dig It?

VV&LL- Tame Me Tiger

Oh and

2008-02-25T11:06:00.000-08:00

best song I've heard this week comes in the form of "Love No" by the Teenagers.
Well, more the Soko version really, her voice is so lovely!

Jade x
Love No - Soko (Teenagers Cover)

LIVE: Lightspeed Champion

2008-02-25T10:23:00.000-08:00

Lightspeed Champion

Sunday 17th Feb 2008
Roadhouse, Manchester

A buzz surrounds Dev Heynes at the moment and with his lyrically sublime songs and self-deprecating nature it isn’t hard to see why so many find him endearing. Armed with a talented band and his guitar Dev is in his stride from the off, bantering with the audience about everything from Year Zero (“This didn’t go down well last night but I’m going to explain the theory anyway”) to I, Robot (“It’s just a shit film”). It’s like half stand up, half gig; the audience gazing adoringly and laughing along to each of the flippant comments made.
A good majority of the audience bob their heads along to album tracks like “Tricks for a Bitch” but it’s songs like “Midnight Surprise” and “Tell Me What It’s Worth” which combine notoriety with talent and have everyone smiling. Something which is different this time Lightspeed play live is a lack of cover songs; Eugene McGuiness and The Strokes have been replaced by their own material and the audience even get treated to new stuff (about hookers, obviously). Heynes voice is suited perfectly to the folk-esque guitars and soaring violins and it’s songs like “No Surprise” which truly showcase the extent of talent. Drums and violins submerge into guitar and vocals and this coupled with Dev clambering onto the speakers and bearing down over the heads of the audience give the feeling of a band in their element.
One of the things setting this band out from the mainstream is the lyrics. Stories which could be portrayed as mundane come to life wittily and humbly. “Everyone I Know is Listening to Crunk” has the audience swaying in time and a few smirks pull at the corners of mouths once the lyrics sink in (“Take me to the Genesis to see Saw III” / “And the stranger on the night bus in the checked coat is not you”).
Highlight of the entire night though comes in the form of the band covering “Thriller”. The hype them should be believed, Lightspeed Champion have talent, a humble and endearing attitude and can make you laugh too- what more do you need?

Jade x

Xanadu- Lightspeed Champion

Waiting Game- Lightspeed Champion

LIVE: Johnny Flynn and the Sussex Wit

2008-02-02T11:50:00.000-08:00

31st Jan 2008
Ruby Lounge, Manchester

This penchant for twinkly guitars and rustic charm has seemed to come about rather suddenly and although Johnny Flynn and the Sussex Wit might on the surface seem to fit in with this genre a closer inspection suggests a greater depth than a new fad.
Firstly the duel vocals of brother and sister provide harmonies and beatific noises as various other members of the band chip in when they feel like it. Their multi-talented front man picks up various instruments (as do the band) and there is no smugness or feeling of trying to impress with the range of their skill.
One of the most superb things about this folk-steeped band is the lyrics; wonderfully angelic voices wrap themselves around the words which evoke different worlds and forgotten people. Beginning the show with “The Box” with its twangy guitar and almost Deep South feel a focus is brought on a homeless man whilst rural fables come to life in the magic “Leftovers”. Their evocative music is deeper than trend or fashion; it extends to the audience, holding them in its grip and literally begging for an encore.
It’s poignant and bluesy with more than enough heart and soul. There is religious imagery mixed with tales of the homeless mixed with tales of love; a rare thing for a set to have so much depth but whilst also holding interest for every song!
A loyal fan base gather on the floor of the Ruby Lounge and a strange feeling occurs, people flop down onto the floor, sitting and nodding adoringly along with every song. Rather than making the whole thing seem lethargic and boring this almost school-like approach to watching the band (legs crossed and eyes turned upwards) seems fitting. Everyone is still moving (one man goes so far as to slap his thigh along with the beat. The look would only have been completed with a piece of hay coming out of his mouth and a floppy straw hat!) And Flynn’s bashful presence is appreciated with applause and cheers.
As the band run through their set it is clear to see they are not only skilful musicians but also destined for success. With their sound reminiscent of Adam Green or even blues/rock’n’roll virtuoso Robert Johnston their lyrics and music intermingle creating poetry alongside sound. A truly great live band with an menagerie of instruments and talent!
Jade xx
(reviewed for High Voltage)

Johnny Flynn and the Sussex Wit - Leftovers
Johnny Flynn and the Sussex Wit- Oh, To Eat An Apple
Johnny Flynn and the Sussex Wit- The Box

Elle S'appelle New Material

2008-02-01T11:30:00.000-08:00

QUICK! Hop on over to Elle S'appelle's Myspace to hear fab new material. Hopefully some of it is to be included on their forthcoming EP! And they're on tour with goFASTER>>... ace news.

"Monkeyshine" is all crecendo-ing "woah-oh-ohs" and ska-esque keyboards dancing over harmonising vocals. Beautifully addictive; their songs are near flawless with their own brand of simplistic pop dipped in originiality and talent! As the end nears in sight skipping drums and a change of tempo twist and turn as duel vocals battle over jumping beats. "Reasons Your Reasons Your Reasons" is like Hot Club De Paris taking The Futureheads waltzing; with a distinctive fairground feel. A sort of Victorian English Gentlemans Club sound is set in the band with a similar set up and the same penchant for dizzying musical heights. Crecendo, tempo, lyrics, instruments and voices all get melded into the sublime pop that is Elle S. The effect is an overwhelment of music and ideas. Chouruses melt into a whirlwind of sounds and voices skipping over pure, unadulterated noise. Come on 2008- bigbigbigbigbigbig things must happen for these guys; they're just too good!!

Jade xx

Elle S'appelle- Little Flame (youtube)

just because it is one of the most innotive videos around !

Girl Power !

2008-01-21T11:12:00.000-08:00

Driving synth and merry-go-round type noises do place this all female-group slightly in the realms of The Horrors. The lead vocals are haunting and pitch perfect whilst guitars and keyboards and drums cavort around. "Smoke and Mirrors" is eerie and ethereal with music which dips and dives over 60s-esque synth and carnival noises. Disturbing; but in a good way.

"Harmonise" has a darker Long Blondes style feel to it with a strong voice soaring over the slightly discordant music and "Balderdash" is made up of crescendos and flickering guitars; it's pure melodic noise. No mean feat... And to top it off it's all a bit "Phantom of the Opera" (a good thing of course), a bit baroque and very pop-noir. Ghostly noises and Gothic tendencies in a monochrome set!

On the other side of the coin is the technicolor brilliance of The Duloks. Their music has the same synth-y bits but in an uplifting way. They don brightly coloured tracksuits and songs like "Gonna Follow Your Star Trail" are twee-pop-goodness. Their songs aren't prog rock length and although it is a pity ace songs like "Boom Boom" end quickly they say what they need to say and get out. Mainly what they're saying is "If you're an instigator / Or a secret masturbater..." and other such nuggets of comedy. It's "Bad Vegetarian" though which places them in the 'legends' box- hilarious and slightly strange. Not taking themselves too seriously is a most endearing quality!

Jade xx
Harmonise - Ipso Facto

Balderdash- Ipso Facto

Smoke and Mirrors- Ipso Facto

---

Gonna Follow Your Star Trail - The Duloks

Boom Boom - The Duloks

Bad Vegetarian - The Duloks

Cheeky Cheeky and the Nosebleeds

2008-01-13T10:29:00.001-08:00

Cheeky Cheeky and the Nosebleeds- The new innovators. Yeah there are people doing amazing revivals of folk which is charming without fault but I was starting to get worried guitar based Indie was going to be forever vapid and generic. THANK GOD then for CC&N with their amazing name and nasal vocals. Their refreshing take on music seems almost like a second-cousin-twice-removed to Los Camp!.

"Slow Kids" is lyrically strange but in a quirky way ("I am the girl with no lips / But I can keep a hula going around my hips"); the angular guitars build up the listener and the chorus is a spiky and catchy damn thing. "Before We Sleep" is a more indie-dance floor-friendly number with a good beat and shouty voices and singalong choruses guaranteed to make you move you feet. The lyrics aren't as elusive as "Slow Kids" but it defiantly isn't paint by numbers indie which bands like The Enemy seem to favour.

Their best song though is "Fascinating" which has a 'The Royal We' feel to the guitars and more thrillingly strange lyrics and squeaky vocals. It should annoy, it should grate a little on nerves but it doesn't- it is purely good stuff even with guitar solos thrown in for good measure!

They're supporting Joe Lean and the Jing Jang Jong (big buzz band) so fingers crossed they'll be well recieved...

Jade xx

Cheeky Cheeky & The Nosebleeds - Before We Sleep

Cheeky Cheeky & the Nosebleeds - Slow Kids

Bits'n'Bobs

2008-01-04T12:53:00.000-08:00

Rambling On: Firstly Bishop Allen (because they've just come up in Ipods delightful shuffle!). Ever since Hannah & I discovered a member of this band was in Mutual Appreciation we knew we'd be hooked- and prior to that hearing "You Ain't No Picasso" meant lovelovelove! With strained vocals, tinkly guitars and witty refrains it is on first listen ever-so-slightly annoying, but give it time because it transpires this song is one you can't live without! Refreshing every time you listen with guitar slicks and licks subtle enough to sound new with every listen. And there is out of tune, accapella-esque bits towards the end! Excellent...

Also I better say it now so I can look back on this and hopefully feel rather smug. Foals are going to become big aren't they?- annoyingly so. Like when The Wombats became transcendent with many social cliques and slightly mainstream and made us feel no longer niche but part of the masses.

If the mainstream can accept the math-rock, twee and sublime noises of Foals and truly appreciate them though well done I guess. Razorshite have dominated "indie" far too long- let some true musicians in I say...

And! speaking of new fads; thankfully the abomination that was 'neu/new/nu-rave" has gone. The last vestiges of day-glo are now in the January Topshop sales and the re-hash of the 90's Hacienda scene will only be brought up again when Klaxons attempt a second album (and lets face it we all danced along to "Atlantis to Interzone" with gutso) but now its time for a mellower sound to surge. Acoustic guitars, whimpering voices & pretty choruses in the form of Noah & the Whale, Emmy the Great, Lightspeed Champion, Laura Marling, Kid Harpoon, Johnny Flynn and the Sussex Wit, Tom Williams and Florence & The Machine are here at least for a while. Oh & that London scene like frYars, BBC & CDP! So the pretty singer/songwriters are around for a while- a lovelier sight than glow sticks. Nights (in London, poo!) like Young and Lost and Twee as Fuck look appealing and not to mention NEW MYSTERY JETS MATERIAL TO LOOK FORWARD TOO AS WELL AS AN ADAM GREEN TOUR.

Phew. Let 2008 commence!

Jade xx

bishop allen - you aint no picasso (zshare)

noah & the whale- 2 bodies, 1 heart(zshare)

noah & the whale- mary

foals- matheletics (savefile)

Josh Weller

2007-12-24T11:08:00.001-08:00

To be perfectly honest, acoustic is a genre I normally detest however I have been recently converted due to the joys of Josh Weller. He is a quirky wonder with a strangely complementary style of both haunting and charming. Myspace has shown only a glimpse of his individuality, found both in his music and style. His innovative style of combining sumptuous and endearing lyrics with a powerful guitar back up may not be original but certainly remains divine. With lyrics such as “Darling sometimes a hate you” it’s hard not to be impressed by this Morrissey-esque irony that his tracks are steeped with. His influences are clearly seen in songs such as “I’m a Christian” heavily reeking of the 20’s blues mastered by Bo Diddley and Robert Johnson. Josh Weller is an artist who due to his inane eccentricity has allowed him the freedom of no genre shackles and is certainly a talent who deserves a break in 2008

Also whilst I’m here I wish the 3 people who read this a very Merry Christmas haha
Hannah
xxx

frYars

2007-12-19T04:11:00.000-08:00

frYars. Sort of like Patrick Wolf. Sort of like Bowie. Sort of like all those other on-the-fringes-of-genre folk. Yet like Wolf there is a depth and some lyrical meaning coupled with a talent and penchant for weird instruments and distorted voice.
The collection of songs on his Myspace are addictive with their poppy, tinkling piano and pop-rock synth. Linked, unsuprisingly, with Bombay Bicycle Club and Cajun Dance Party frYars sophisticated take on music is both uplifting and depressing to a point. Marrying darker and more macabre lyrical content with danceable and pop/electro/alternative (according to good ol'Myspace) music this is endearing stuff
indeed.
All in all it is wistful indie at its finest with an unidentifiable something which lets it almost escape genre and with lyrics and poignant musical arrangements. Magical!
(open in new window!)
frYars- Madeline
frYars - happY
Jade xx

Get Dancey x4!

2007-12-18T08:37:00.000-08:00

1. Mixing many a “woo-hoo”, hand claps and shouty shouty vocals And What Will Be Left of Them are refreshingly upbeat! They nod to the 60s and have punkish tendencies binding it all together with male/female duel vocals.
They’re songs are familiar from the first listen. “Come with me” wraps the listener up in its recognisable guitars and synth infused chorus whilst “Hi-fi” takes a mellower take on the peppy, up-beat sound. It is “Four Years to be an Artist” though which is distinctively (and instinctively?) good with its charming lyrics and relentless beat.
And What Will Be Left of Them?- 4 Years
And What Will Be Left of Them?- Hi Fi

2. Friendly Fires manage to marry what can only be described as ‘funky’ beats with repetitive lyrics and smooth as you like vocals. A dance act for once not riding on the tail-coats of 90’s rave nostalgia and hopefully not a glow stick in sight. They should remain a credible band for at least 2008! Although it can make you wary when you see a dance infused track remixed Nightmoves remix of “On Board” handles it well adding enough to make it interesting but taking nothing away. And if you don’t end up waving your hands in the air (yes, like you just don’t care) to “Paris” then shame on you!
Friendly Fires (Nightmoves Remix)- On Board
Friendly Fires- Paris

3. I can’t get enough of Crystal Castles at the moment. After dispelling them to the back of my mind for most of this year I had it down as annoying noise that was neither compelling or hard to do. Oh how times change; after seeing them live and also taking the time to listen to gems like “Alice Practice” and “Crimewave” my opinion has changed quite the bit. Jumping from subtle electronic tinges of beeps and bleeps blended over the stylised vocals to the thrash thrash thrash and high pitched yelps they create un-genrefiable dance/ thrash/ hard-core/ rave/ indie/music. End of.
Crystal Castles- Alic Practice

Crystal Castles- Crimewave

4. Finally The Je Ne Sais Quoi have more than a hint of the 1980s in their track "Chameleon. Distinctly danceable beats laden over with harmonising vocals and glittering synth makes their songs a more mellow take on dancing. With multi-faceted songs in which insturments skim and slide over once another like "Chamelon" their harmonise, Swedish twang and smooth execution of the song makes them charming.

The Je Ne Sais Quoi- Chameleon

Jade xx

teenagersintokyo

2007-12-09T06:40:00.000-08:00

Teenagersintokyo are actually in their twenties and from Australia. "Twentysomethingsinsydney" doesn't have the same ring to it though; luckily their songs are divine.

Blending simplistic electro and brooding bass notes they create electrifying dance music. "Robocat" evokes a sense of a lighter Bonde Do Role but still with an edge of dark. With Karen O-esque vocals and various screeches and whimpers towards the end the beat carries it through. Sultry and with blinding synth "End It Tonight" is reminiscent of Theoretical Girls darker take on electro; forget NYPC and CSS's candy coated version of new rave- this tenser version of danceable songs combine good nights with the morning after and more.

What with one bloke amidst four females teenagersintokyo sort of escape genre; neither girl group or boy and with the ability to write great lyrics but no concept of grammer (if their name is anything to go by). Either way they are quite addictive and its only a pity they live in Austrailia & I can't see them live yet.

Jade xx

End it Tonight- teenagersintokyo

Robocat - teenagersintokyo

Theories and Shambles...

2007-11-23T11:11:00.000-08:00

Quick post really! Today I got Theoretical Girls new single "The Hypocrite". It is suffice to say quite brilliant; a singer/songwriter doing away with the warbles and whingeing and instead revelling in disenchantment and ethereal vocals. After being aware of TG for quite a while now it is lovely to see her brand of simplistic and dark compositions gaining a reputation. And she has the best hair.

Also went to see Babyshambles last night. Although it was in the far from filled MEN they still managed to make an intimate atmosphere. It was something of a novelty that they came on at the right time, Pete only fell over once and at one point Babyshambles (metaphorically)disappeared only to be replaced with a jazz-esque persona as they whisked through "There She Goes" and Pete preformed "Lost Art of Murder" acoustically; who knew Peter Doherty to be capable of not mumbling lyrics and playing complex guitar. Charming as ever and playing more than their quota of songs it is a return to form for them. Thank God!

Jade xx

Red Mist- Theoretical Girl

There She Goes- Babyshambles

Summery Bands for the Winter

2007-11-11T06:22:00.000-08:00

Littered with summery nuances and pretty choruses Brontosaurus Chorus evidently take inspiration from bands like Belle and Sebastian, Elastica and (although musically they aren’t as macabre or deep) Joy Division. These are the type of people you’d invite to a party, get drunk and force to play an assortment of instruments just to make you smile. Like a more innocent and less lyrically evolved Los Camp! songs such as “Now We’re Making Out” evoke warm nights and warm wine glistening on a sideboard whilst “David Bowie” is an utter hit (even if purely for writing a song about the legend that is). The female based vocals soar and dive over trumpets and violins and guitars and drums and cellos in a thoroughly heart-warming way! Formed in the summer of 2006 it is down to the listener to wonder how much of that time is captured in the balmy musings of songs like “Summer Skies” and the fab “Distortion Pop”.

Brontosaurus Chorus Myspace (YOU CAN DOWNLOAD “David Bowie” AND “Love is the Path” HERE!).
Bront C- Distortion Pop

Bront C- Now We're Making Out

A band which evokes a darker and slightly more sinister side to light-hearted indie-pop is The Royal We. Leaving hand-claps and “woo-hoos” like debris throughout their songs they are the epitome of strange and wonderful. “Baby take my arms/ Baby take my legs/ But please don’t take my baby ‘cos our love is all the rage/ All Right!” is just one example of the lyrics which surround this band. The accompanying video to “All the Rage” is equally disturbing with body parts (fake obviously) being scoffed down and a disembodied head singing prettily into the camera. Actual genius. “I Hate Rock and Roll” actually has rock’n’roll nodded too in the guitar arrangement at times (deliberate or not I’m not sure) whilst “Back and Forth Forever” takes a more laid back approach with duel vocals and gentle strums. Sadly they’ve already apparently called it a day but their Myspace has songs and videos to see and admire.

Jade xx

Old Loves and New...

2007-10-27T08:11:00.001-07:00

Belle and Sebastian. A band I have liked for many years has recently developed into love as I understand them a little better. Yes they are whimsical to a point but they have more substance and ideas (and band members) to create magical songs every time they make an album. From “Dear Catastrophe Waitress” to “The Blues are Still Blue” Murdoch, Jackson and Martins vocals wrap the listener up with harmony and wonderfully elusive lyrics. “Piazza, New York Catcher” is simple with vocals and guitar being the only instruments used (unlike “Step Into My Office, Baby” which has a fully fledged orchestra). What I like most about “New York Catcher” is how it epitomises Belle and Sebastian’s sound and lyrical work in the simplest way.
“The Boy with the Arab Strap” is equally compelling with hand claps and an earlier sound to the band (it being the third of their eight albums). “Another Sunny Day” gathers speed with the electric guitar and a distinct and succinct 60’s feel to it.
There are a million(ish) songs I could go on about because since 1996 Belle and Sebastian have been making music but basically, what I like most about them (other than they named themselves after that French cartoon) is that they are versatile and relevant as ever. They could bring out an album in another 10 years and it would still be a piece of wonderful and ‘folksy’ work. They are magic.
Talking of new loves is a band of another whimsical nature. Los Campesinos are possibly on of the best bands I have seen this year with their mixture of male/female vocalists and all-band dance routines. And they were touring with Sky Larkin and You Say Party We Say Die (two other amazing bands).
An enigmatic front man (with an apparently Justine Frischmann-esque haircut although I couldn’t see that myself) and a menagerie of musical instruments creates a fusion on stage that translates to the audience too. Covering “Frontwards” by Pavement they put their own unique twist of happiness on it. The music blends seamlessly with the lyrics which are on their own works of art. Basically, I couldn’t praise this band enough and hopefully they’ll get all the praise and awards and stuff they deserve. Get your glockenspiels and violins at the ready
Reading back it seems I like bands which have many members, many instruments involved and lyrics that make little sense… 4 piece indie bands are so 2004 dah-ling. (Jokes) (not really)
Jade xx

Belle and Sebastian- Piazza, New York Catcher.

Los Campesinos - You Me Dancing

I'll have a pint of McGuinness please...

2007-10-25T07:48:00.000-07:00

Sadly nowadays its becoming rarer and rarer to find a musician or band that encites me due to their sheer raw talent and orginality. It seems bandwagons are becoming the new fashion which strips the airwaves of anything different or magical hense why listening to Eugene McGuinness has become such a wonderous experience. Burdened with an unnecessarily geeky name has certainly not tainted his effortless approach to being cool, with an enigmatic stage presence and

His most noticable song being "Mosters under the Bed" is filled with whimsicle imagry and equally magical coingages (fanfuckingtabulous) to match. His vocal ability is odd yet charmingly crisp with his music containing distinc ska influences however manages to forge its own unique genre verging on the indescribable.
Finding himself on the support act circuit with his contempories (including Lightspeed Champion, his biggest fan!) may not be the most fulfilling career move however this will no doubt enable him to build on his already dedicated fanbase and expand his music thefore reciving the acclaim he righfully deserves. A British talent to be proud of, and perhaps one that should be cherished rather than ruthlessly captilised in order to please the greedy masses.

So from the new to the old, as we drift the the 1930's I recommend you all dig out a Robert Johnson record. This man is the sole reason for rock and roll, a true innovator of all things great and deserves to be cannonised for his works! Only 2 surviving pictures and the odd recording of the man makes his persona even more mesperising and ultimately mysterious. The emotive resinance contained within his purely r'n'b voice is both moving and admirable, most successfully heard on "Sweet Home Chicago". Its hard to avoid his influence in todays world, and this significant hold could be caused by his short albiet eventful life. His legacy is timeless, and its a sad shame that his talent often goes unrecognised by modern music lovers as he is a man whose naivity towards his own music has produced some of the finest recordings ever.
http://en.wikipedia.org/wiki/Robert_Johnson_(musician)

Hannah xx

Paradox (or is that an Oxymoron?)

2007-10-13T07:27:00.000-07:00

(image compyright Danny North)

"Sounds Like: Pop heaven in a library."

Ok, grammer aside the paradoxical nature of "GET IT LOUD IN LIBRARIES" is possibly the best idea ever!

Cramming as many people into Lancaster Library as possible to bring to people aged 0-100 (much like that yoghurt advert!) the best new music around they've had an array of talent playing so far.

Gracing the stage in the music section of the library has been; The Long Blondes, Bat for Lashes, Tiny Masters of Today, Sky Larkin, You Say Party! We Say Die!, The Wombats, Los Camposinos!, The Hot Puppies and Field Music !

AND Coming up as well there is The Whip and The KBC on the 24th October.

Having been to two of the gigs I can saftly say the age-range (toddlers to OAPs and everything in between) is one of the most positive aspects of the whole thing as well as seeing new bands in a small space where most of their influences come from. Music, literature and community are all combined to create a unique experiance. No wonder awards have graced this novel and magical idea.

Get it Loud In Libraries Myspace

around the world in 60 seconds...

2007-10-08T11:37:00.000-07:00

.. or something of that nature!

Out “there” is a lot of good music. Out “there” being across the ponds and various seas that divide the British Isles from the rest of the world!
For example New York used to be known for likes of Patti Smith and The Ramones as its own! However now there are bands lurking in the Big Apple like "Nous Non Plus" who seem to sing mainly in French about “Lawnmower Boy[s]” and "The Lisps” whose eccentric stage antics (not having a microphone, tap dancers and dressing as though they were puritans or something) put Tilly and the Walls ‘quirky’ antics to shame! California isn’t just the home of the OC either, the whimsical and slightly bizarre "Vermillion Lies” trail haphazardly around in weird and wonderful clothes with a 30’s/ Bette Midler feel to them. Whilst other American bands such as “Tiny Masters of Today” and the unmitigated greatness of “White Stripes” and “Adam Green” keep us all entertained!
Or if America is too close to home how about Australia or New Zealand? Yes, countries that are still probably waiting for the Kasier Chiefs to visit them are sending us the cream of their crop. Never mind “The Datsuns”- bands like “Architecture in Helsinki” and “So, So Modern” are bringing their twangy accents and Crocodile Dundee covers to Britain in a flurry of electro pop and shouty vocals. Not to mention The Brunettes” from Auckland who resemble a softer Blood Red Shoes! You’ve also got Die! Die! Die!” with their dark take on the blues…
Bleeps and “blue, blue, blues” are being taken care of courtesy of Canada’s finest “Crystal Castles” and “FeMeNin MaScUlin” whose blend of sugary, female vocals and synthesized wonderment is keeping foots tapping everywhere!
France, possibly known more for its penchant for snails than its good ol’fashioned indie rock, is boasting not only the fab “The Teenagers” but also “Les Shades”, “Second Sex” and “The Plasticines”! Keeping it in Europe we have "Les Fauves” from Italy and the ADULT-esque "MiT" from Germany who aso get to boast Berlins "Kitty Solaris”.
Sweden has “The Je Ne Sais Quoi” whose blend on poppy synth and 60’s esque guitars are beautiful. Also from the land of the Swedes comes another band. Pop infused, female fronted and possibly sugar coated as well; Those Dancing Days”. Songs “Those Dancing Days” and “Hitten” are possibly the most addictive things ever? (View Video Here!) Sweden also claims "Salty Pirates" as its own whos addictive tracks "Survivalist Guide" and "Common Sense" are slightly Americanised but with slightly humourous vocals due to accents galore!

Another country from ‘up there’ (aka. Iceland Geography isn’t my strongest attribute) are “Jakobinarina”, the excellent, punk filled greatness that is. Argentina has Modular whose blend of ‘sunshine pop’ and ‘pop orquestral’ is alluring and also like something out of Napoleon Dynamite!

Well, that’s about as many countries as I can come up with; maybe thats not many but hopefully enough ha.

Jade xx

Germany:

Kitty Solaris - Change Something

Sweden:

The Je Ne Sais Quoi- Chameleon

Salty Pirates - Survalist Guide

France:

-taken from NeuMag!

Paris Calling (link to Neu!)

Canada:

femininemasculine - Club Rise (remix)

California:

Vermillion Lies - No Good

Argentina:

Modular - Playa Biguini

Austrailia:

Architecture in Helsinki

Shotter nation ...

2007-10-02T14:24:00.000-07:00

SO today i made an investment, a wise one in my opinion. Shotters nation, the second offerening from Babyshambles and it has to be said, a sublime piece of msuical work. It appears that the band have fused, forming a relation with each other that has proved healthy and prosperous. Although the departure of ex-gutarist Patrick Walden was a sad one it seems his replacement, Mick has justifed himself. The one striking comparison between this and their debut album is that musically "Shotter Nation" is impressive and has not gained the wrong fame purely from the infamous Pete who has wrongly become a household name for the sake of selling papers. His talent lies deeper and its this ability to create which is putting his music back in the limelight. For too long, liberitines fans througout the world have had to grit their teeth and constantly defend their icon owever this new chapter of Petes life is strongly deemed to be a success. Perhaps endless court appearances and split between his infamous lover Kate has reforcussed his determination and rekindled his one true love, Music. Although the now legendary partnership between Pete and Carl has ended it seems a new one is blossoming and perhaps Babshambles have been given a new chance to prove themselves as accomplised musicians.

The absence of Mick Jones seems to be another positive step in the right direction, and even on first listen, the production of the album is noticiably pristince. Stephen Street must be commeded for his different approach which in turn creates a wholesome sound rather than a disjointed album. On listening to these different tracks, it becomes clear that Pete & co have drawn influenes from the major bands rather than the obscure. Sounds from The Kinks, The Doors and even The Stone Roses are obvious but do not suggest plagourism, rather necessary influence.

Pete recently has become scaily close to losing his appeal, however when I found myself grinning like bagpus on y first listen of the album, I knew my love for him and his works will never fade. Its special and beautiful lyrical content is what makes petes a leppar in musical society and a traite he should never lose!

So to the music and tracks stand out like saw thumbs is this array of the sublime. "You talk" is a natural showcase of petes vocal ability which is rarely commended. Riffs that ooze success rest neatly over a rare co-ordination of sound. Other highlights include "unstookietitled" and "crumb begging", with the appeal of both mainstream and obscure ears alike, a rare balance that possible only Babyshambles can pull off with credibility. This album provides proof that Babyshambles are certainly not just Pete's backing band, talented musicians in their own right which is slowly becoming a rareity in todays stupidly mindless charts!

With any of Petes ventures, the album is certainly not flawless but fills the gap in what we were all waiting for, an album for us all to be proud of. Pete, the innovator of a close relationship between band and fan has crossed the boundries in many ways throughout his career therefore this, his latest effort should certainly be given the chance to succeed without the stereotypical stigma attatched to it.

I must stop, as it is quite possible for me to talk for hours about anything Libertines related!!

Hannah

xxx

Jakobinarina

2007-10-02T10:14:00.000-07:00

Just a quick post about the Jakobinarina gig !

Hailing from Iceland (so that’s Yak-O-Bina-Rina) they played at the Roadhouse on Sunday courtesy of Same Teens Live.
Starting the night were the City Royals, Manchester answer to cheeky indie-pop and despite vocal strain (at one point a request for a hot toddy was made by a rasping lead singer) they delivered a blinding set with “Neon Pretty” and “Holiday” winning the “could-be-an-indie-dance-floor-classic” category. Despite a crude joke about aids (still got a few laughs) they still claim an absolutely ace drummer and vocalist with the Gallagher swagger; defiantly a Manchester band!
Satin Peaches on the other hand were distinctly American (they’re from Detroit); with the angst and Kurt Cobain whine down to a pat they didn’t seem to be everyone’s cuppa’. However, for those who like the grunge sound (and look) they’ll be a firm favourite. Their live set is distinctly darker than the sound conveyed on CD and what seems like a jovial, 60’s infused song in “Well, Well, Well, Well” came across from the stage as macabre, The Kinks gone bad so to speak.
Finally, Jakobinarina came on. With all the arrogance of a world-famous rock star Gunnar Bergmann belatedly jumped on stage. Launching into “This is an Advertisement”.
“’Allo this is Jakobinarina/ We are officially announcing ve are sell-oot,” pretty much sums up the feelings of the band. Tongue-in-cheek songs about selling out (like so many bands do now) and “Jesus” ordering everyone to “Jump around/ to the sound/ of mediocrity” gathers the crowd up together in a whirlwind of energy and transplants them somewhere buzzing with resentment for todays “popular music”. “Sleeping in Seattle” and “Riding” give a slower sense to the occasion. Dance moves provided by the lead singer were more reminiscent of a dad dancing at a disco- yet on him made to look effortlessly cool. Showing that Iceland has more rock in it that Siguor Ros and that anti-disestablishmentarians and antipathy towards what classes for music now crosses seas and binds us all together. All in all, Jakobinarina provide an outstanding live act that reflects their music, style and passion as well as extremely danceable and likeable songs!

Jade xx

BUY THEIR ALBUM (according to the lead singer "It is niiiiiice"!)

Also:

Jakobinarina - Sleeping in Seattle
Jakobinarina- This is an Advertisment

Folkin' Hell

2007-09-29T02:55:00.000-07:00

Folk, bluegrass, rockabilly; these are words that would have my mother sniggering as she recalls stereotypical men with beards, strumming at a guitar and pretending they are Simon and Garfunkle! Very 70’s! But get ready to welcome in the new breed- The Mules, Noah and the Whale, Kitty Daisy and Lewis, The Woodsmen, Vincent Vincent and the Villains. All great bands combining different sounds- moving away from the classic “indie-pop-Razorlight-make-loads-of-money” formula and making music for the sake of music!
And wonderful music it is too; focus isn’t all concentrated on guitar riff solos and whether the lead singer is “fit” or not but instead on the musical ability of all involved. Violins, harmonicas, fiddles, banjos, guitar, drums, little bit of synth; there is a wealth of inspiration to draw on and an array of musical instruments to explore.
The type of music Gypsy Kings and Kalico Queens would dance to around campfires whilst drinking copious amounts of rum or whiskey and enjoying the nuances of the sounds!
Bands like the Mystery Jets, Patrick Wolf and Larrikin Love have helped pave the way; rejecting soullessness and connecting with fans through their lyrics and obvious love for their day-jobs. The words aren’t focused on how drunk they got last night, how much they fancy that “bird” by the bar or how many drugs they took in one hour but instead following themes of freedom, love, pent up emotions and inspiration.
In all their tender years Kitty Daisy and Lewis are prime examples of how not following the crowd makes you infinitely cooler. Epitomising 40’s/50’s glamour and playing an assortment of instruments and with harmonica solos rather than guitar makes them unique and talented all in one go!
The Woodsmen with their macabre and addictive music have all the qualities of a debauched pirate pillaging towns whilst stopping sometimes to make a bit of music and have a bit of a jig!
The Mules take bits of everything and splice them together to create imagery and worlds that are subtle and vivid. “Rhino” has the makings of a great novel behind the lyrics of a 3 minuet song. Then there is Patrick Wolf who’s upcoming tour (!!!!!!!) promises Patrick with only a violin, harpsichord and piano for company. His orchestral nuances combined with an ever changing persona, David Bowie-esque vocals and optional glitter and magical song content leaves many a fan happy he isn't quitting touring as previously thought! A fore-runner in the weird and wonderful world of swapping a guitar for a fiddle his previously dark songs have been transformed into a glitterati world of Bluebells and Magic Positions!
Although it is a matter of taste, what is wonderful about all these bands is although they don’t seem to be trying to appeal to the masses or garnishing themselves with No1 spots and Brit Awards galore their music has an appeal that could just reach those obsessed with the Top 40 if only they gave it a chance to flourish. Music, it seems, isn’t all about the lyrical hook, perfect drum beat and pulsing rhythms but about subtleties and talent.

Jade xx

The Mules- Rhino

Patrick Wolf- Running up that Hill (live)

The Woodsmen- Green Eyes

3 of a Kind...

2007-09-24T10:02:00.000-07:00

It has been brought to my attention how good David.E.Sugar is! A working mans Justice with more longevity than the Klaxons. His perfect blend of electronical noises (for those who still think neu-rave is a genre) and vocals-taking a trip past bass, synth, guitar- are surely set to take over dancefloors and hearts everywhere? Calvin Harris relenquish your (self-proclaimed) claim that you "created disco" and hand full regalia to Mr. Sugar!

Another band on top form and finally set to grace the UK instead of Berlin, Paris and numerous other European countries are Robots in Disguise. Possibly the two coolest girls ever? Dee Plume and Sue Denim. The names say it all really. New song "The Sex Has Made Me Stupid" isn't lyrically as good as "Turn it Up" or " Boys" but is still charmingly cheeky with dirty great bass lines and various squeels and shrieks from the girls as well as smokey vocals.

Finally, one more band I'd class as electro (genres aren't my strong point!) are So, So Modern who hail from New Zealand but have nothing to do with kiwis, sheep or rugby (sterotypes a-plenty!). Along with The Brunettes they're striking blows for NZ everywhere with credible music. Acrid electro for the masses. Like a 99p ice cream they pack sweet, smooth and bad-for-you goodness into every song. Finally a band to cite from the country that isn't named The Datsuns (even though they're pretty good too)! Slightly annoying until a second, third, fourth listen and then instantly the most catchy thing you'll ever hear. Hum along, dance along, sing along; don't be shy!

Jade xx

So So Modern- Synthgasm

Girls & Boys in Love (Rumble Strips Remix) - David.E.Sugar (recommended!)

Sex Has Made Me Stupid- R.I.D

Spin spin spinning ...

2007-09-23T08:35:00.001-07:00

So our love of vinyl's and our obsession for music has caused for an obvious collision as we decide to delve into the sublime world of DJ'ing. I find this word carries all sorts of bizare sterotype's including images of Fat Boy Slim and the incessent need to scratch and swerve but as we slowly become akin the new jargon and vocabularly that comes with this wonderful hobby we adorn our headphones and get ready to dance our feet away.

On the 24th October, we venture out of the confides of our own homes to the Retro Bar for the Kalico Queens offical debut and we will be joined by the sublime Peter and the Wolf. Its safe to say we are positively giddy and hope to see a few friendly faces there as we enforce our taste of music (Which is naturally faultless!) upon you!

Hannah

xxx

Paris ...

2007-09-23T07:02:00.000-07:00

Paris has a culture to admire; a home of fashion, architecture, food and history. In a recent visit to the city I found myself falling in sync with the easy-life persona it exudes; the notoriety Parisians have gained regarding their relaxed style is something I really adore. European cities are soon finding their musical niche, Berlin being the innovators of all things quirky but its Paris that is leading the way forward, providing us with some sultry delights.Style is an essence that comes so easily to Parisians and something I will be eternally envious of. This inherent ability to be elegant has produced some of the finest work both culturally and practically. However, when it comes to European music, it seems there is an endless gap in the market. For the main part, Paris is known only for a brief Eurovision fame and a glorified covers band, both of which can tarnish a country with the "naff and tacky" music label. Longevity has never been important to the French as a nation, with their timeless artists being locked in the realm of operatic and classically trained musicians. So have the independent been left behind? Do the teenagers have to survive on Edith Piaf? Everywhere there is the sense that our musical counterparts are loosing their identity. Being polished for mainstream ears, so little is left plainly visible for the people who seek obscurity in it finer form. Often it seems we have to travel overseas for that…this enthusiasm to rejuvenate such a traditional musical genre is something that will appeal locally and nationally, and it’s a matter of time before the trilby wearing, winkle picker army of Britain are seduced and lured in by these dreamy eyed starlets laced with dodgy accents and a twinkle in their charming eye.

However its not just the fast pace jangly rock kids that are sweeping the country, it appears the traditional sound of folk has been rejuvenated to appear a more accessible genre than previously thought. This is the Kit are a band primarily originating from Bristol however a swift move to Paris and their sound is transformed. Solely dependant on atmospheric vocals and the odd strum of a acoustic guitar, this reliance on natural sounds causes the band to delve into the world of a genre that should be explore more commonly. “I left her standing there” is a song that can only be described as simplistically genius, with beautifully formed scat harmonies reminiscent of 40’s style ballroom rendez.Pristine yet risqué pop trio The Teenagers marry lyrically obsessive content about America’s most notorious women, with cheeky yet sparkling electro that induces an instant sing-a-long. It may not be anything significant or politically sophisticated but it’s the arrogant simplicity of their attitude that appeals, something to make you laugh and dance with an alternative tinge that seals the bands authenticity. Is fashion and dashing good looks something that is entirely necessary? No. But it’s certainly an added bonus when you take the time to have a gander at teen tykes Les Shades.

Their version of The Strokes classic “Hard to Explain” is vocally slightly bemusing but such a daring move has paid off by both proving their excellent taste in music and showcasing the potential dexterity that lies within such a youthful band. Their striking appearance and loyalty of their home land is a commendable asset. Even though their lyrical content is often French, their appealing popularity is not tainted; it only proves what a seductively attractive and romantic language it is.The girls of Paris are sublimely represented by art rock genii, Plasticines, mastering the fine art of edgy harmonies and the effective use of the old fashioned rock riff to catapult them. This traditional format has been rejuvenated and updated and it seems inevitable that this impressive (and sometimes heavily Americanized) sound will enrapture the hearts of thousand. There are heavy parallels to be had with The Long Blondes; phonetic vocals that crescendo in a fine piece of strength and control is highly reminiscent of the steady and cultural sounds of the stylish Sheffieldonians!

The Parisians have a distinct lack of influence therefore looking to such iconic bands as The Libertines has enabled them to focus on the importance of essential music, and they’re hard work has paid off. The bands have been careful however not to become a carbon copy of already acknowledged British acts, this factor paying dividends when listening to their work. French bands have the drive and determination required to claim “icon” status and is clearly and achievement they wish to accomplish, a goal that only British bands seem to strive for. Parisian talent reaches its peak with de Beauvior influenced Second Sex, a band that with only a splutter of live shows to their name have quickly impressed the MySpace generation with their rough English translations and bizarre variety. “Lick My Boots” is a rustic, raw and captivating glimpse into their potential. Their energy and enthusiasm is shockingly visible, not phased by the pressure that can come with musical talent. Loud vocals and the use of hard guitars smashes the boundaries between thrash and indie; a combination that seems to suit Second Sex. These French bands are both originally iconic and innovative, adding the sophistication so desperately needed in Britain. Our complacent love for mediocre bands is tiresome, and more often than not we settle for the overplayed pub bands that did not even deserve a chance in the first place.This raw passion and love is what the British scene lacks, a disappointing fact but none the less one that needs to be addressed. Maybe a shift in loyalty is needed in order to let French bands such as this make more of an impact in Britain. My suggestion? Ditch the classical stereotypes, throw away the onions and stick on your beret as you get prepared for an all new French invasion.
Hannah xxx
X Berg- This is Pop
Sunset Beach- The Teenagers

In which we introduce ourselves & get the ball rolling...

2007-09-23T06:19:00.000-07:00

Hello! This is the first (of possibly many) posts on our shiny new blog.

Just as in intro to us : Kalico Queens = a DJ duo (Jade&Hannah) from up'north who also dabble in hosting under18 club nights, writing for many amazing fanzines and dancingdancingdancing! (endintro!)

Although it's back at school/college/uni/jobs and summer is merging far to swiftly into autumn there are still many amazing gigs (now festivals have ended!) and bands floating about s o o o hopefully new music and old will be brought to attention and shared!

Firstly a band EVERYONE (nearly) is talking about: Elle S'appelle. The best band to come out of Liverpool since the Beatles might be going a bit far but they're definatly better than their contempories Hot Club de Paris!
After listening avidly to them for ages now it is safe to say they should be cited as everyone in the worlds new favourite band. From their simplistic and addictive songs like "Mariappa" to the more complex and addictive (at least they're better for you than any drug!) "Wood for Tree" they have created a range of songs which all sound inexplicably perfect for a band who have only just begun to bloom. Unfortunatly I've not had the pleasure of seeing them live although I hear they have gigs coming up in Manchester for an In the City courtesy of Powwow!
Keeping with the theme of Liverpool goFASTER>> are also playing In the City which will be an absolute treat for the ears/eyes and possibly other senses too!! Other bands to take to the stages are people like (shameful plug) The Brouges (literally related to The View but far better!) and Paddy Orange who are gracing the all ages stage at Virgin Megastores courtesy of Same Teens. I'm sure Manchesters finest The Answering Machine, Sir Yes Sir, Headlines and The Ting Ting's will be found lurking at various venues too!!!
Jade x

Elle S'Appelle - Mariappa